(František Muzika, Z Českého ráje V (Ležící torzo), 1944)
František Muzika (1900-1976), a key member of the Czech New Wave scene, created haunting paintings that blended human form with the surrounding landscapes. His painting that heads this post inspired me to collect various science fiction covers (from a mix of English and non-English language presses) that showcase the interlacing of human and landscape — the body (or body parts) as landscape. There are many many many more covers on this theme and perhaps I’ll gather them for a later post. I am torn over my favorite! Leigh Taylor’s cover for the 1967 edition of J.G. Ballard’s The Disaster Area (1967) Continue reading Adventures in Science Fiction Cover Art: Body as Landscape
(Hannah Firmin’s cover for the 1983 edition)
4.25/5 (Very Good)
“Ladies and Gentleman: The age of the machine” (11).
I continue my loose sequence of reviews on medical science fiction with Elizabeth Baines’ evocative fable The Birth Machine (1983) (see notes). Pushing against notions that pregnancy is “medical: illness” (51), the narrative follows a nightmarish tact as an unsuspecting woman is linked up to a nebulously described machine and drugged. Beset by dehumanizing (and often patriarchal) forces, Zelda, without the help of others, comes to terms Continue reading Book Review: The Birth Machine, Elizabeth Baines (1983)
1) Can’t resist a beautiful Richard Powers cover even on a rather standard 60s anthology of short stories—includes Ray Bradbury, Fredric Brown, Theodore Sturgeon, Wyman Guin, Algis Budrys, etc.
Relevant reviews: Algis Budrys’ collection Budrys’ Inferno (1963) and Wyman Guin’s superb collection Living Way Out (variant title: Beyond Bedlam) (1967).
2) A SF novel by Angela Carter — enough said…
3) One of the great (and lesser read) Soviet dystopias! Can’t wait!
4) Another bargain bin find by John Boyd… with some incredibly hyperbolic cover blurbs on the back about his earlier (and lackluster) novel The Last Starship from Earth (1968).
As always, thoughts/comments are welcome!
1. Beyond, ed. Thomas A. Dardis (1963)
(Richard Powers’ cover for the 1963 edition) Continue reading Updates: Recent Science Fiction Acquisitions No. CLXXVIII (Carter + Boyd + Platonov + Anthology with Sturgeon, Bradbury, Budrys, et al.)
(Cover for the 1974 edition of Histoires de robot)
While researching the French SF author Gérard Klein, I discovered that he edited a themed anthology series La grande anthologie de la Science-Fiction with Jacques Goimard and Demètre Ioakimidis. This series covered SF stories on themes such as robots, aliens, machines, the galactic, the end of the world, time travel, etc. If you’re curious about the contents of any of the volumes in my post check out the handy Internet Speculative Fiction Database listing.
The famous French typographer, graphic artist, urbanist, and architect Pierre Faucheux—who worked primarily for the publishers Club Français du Livre and Le Livre de Poche—created the covers for Klein, Goimard, and Ioakimidis’ SF anthology series. And they are a varied and fascinating bunch…
I am not convinced I like all of them — but the 1974 edition of Histoires de machines, the 1974 edition of Histoires de fins du monde, and the 1975 edition of Histoires de voyages dans le temps certainly appeal to my artistic Continue reading Adventures in Science Fiction Cover Art: Pierre Faucheux’s 1970s covers for La grande anthologie de la Science-Fiction (robots, the end of the world, aliens, etc)
(Jeff Jones’ cover for the 1968 edition)
3.25/5 (Vaguely Good)
To move past my variegated obsessions regarding William Kotzwinkle’s Doctor Rat (1976) (review + list of imaginary scientific articles), I decided to reread a lesser known John Brunner novel. I cannot pinpoint exactly when I first read Bedlam Plant (1968), other than before I started my site, but it holds up as a moody biological mystery with mythological undertones as colonists confront their deceptive new world.
This isn’t Stand on Zanzibar (1968), Shockwave Rider (1975), The Sheep Look Up (1972), or The Jagged Orbit (1969), but it left me wishing that Brunner applied his Continue reading Book Review: Bedlam Planet, John Brunner (1968)
(James Grashow’s cover for the 1976 edition)
“Oh scaly skin and dandruff
with hemorrhagic sores,
come and look inside us,
they’ve provided us with doors!” (15)
Winner of the 1977 World Fantasy Award
In the early 1970s DARPA (Defense Advance Research Projects Agency) got wind of a Soviet project in parapsychological submarine communication. Gruesome details unfold: the Soviet scientists suspected there was “a psychic link between mothers [in this case rabbits] and their offspring.” If say, someone on the surface were to kill the rabbit baby then the submarine, with the mother on board, would know to surface and launch their nuclear weapons. Of course the entire idea is utter hogwash and the DARPA investigations of various parapsychological claims resulted in nothing (see note 1).
William Kotzwinkle’s maniacal satire Doctor Rat (1976) takes the idea of animal communication, in this case across species with the exclusion of humans, to bizarre and alluring Continue reading Book Review: Doctor Rat, William Kotzwinkle (1976)
(Cover for Fiction, #200 (August, 1970), ed. Alain Dorémieux)
Our adventures in French SF magazine cover art continue! A little more than a month ago I posted on Claude Lacroix’s Delicate Lines and Mutations and we press on in a similar manner with the art of Wojtek Siudmak, a Polish-born artist based in France.
I am deliberately featuring only Siudmak’s first two years of cover art (he was very prolific): 1970-1972. Between these years he mostly illustrated the major French SF magazines Fiction and Galaxie. As I mentioned in the previous post, the 60s and 70s covers for Fiction—“the leading journal of science fiction and fantasy in France” until its cancellation in 2015—were characterized by simple color schemes and delightful line work. Siudmak adeptly works within Continue reading Adventures in Science Fiction Cover Art: The Uncanny Bodies of Wojtek Siudmak