(Geoff Taylor’s cover for the 1978 edition)
3.25/5 (collated rating: Vaguely Good)
The Custodians and Other Stories contains Richard Cowper’s most famous short SF (both received Nebula nods): “The Custodians” (1975) and “Piper at the Gates of Dawn” (1976), later published side-by-side with his Nebula-nominated novel in the same sequence The Road to Corlay (1978).
My limited exposure to Cowper’s work so far—i.e. the hilarious post-apocalyptical black comedy on the British class system replete with intelligent dolphins and giant submarines, Profundis (1979)—suggests an author who can weave a solid story in a range of SF sub-genres from time travel Continue reading Book Review: The Custodians and Other Stories, Richard Cowper (1976)
(Art Sussman’s cover for the 1960 edition)
3.25/5 (collated rating: Vaguely Good)
I have long been a fan of both Judith Merril’s fiction and edited volumes. The eponymous novella in the collection Daughters of Earth (1968) is one of more delightful visions from the 1950s I have encountered. Merril reframes biblical patrilineal genealogy as matrilineal–i.e. humankind’s conquest of space is traced via the female descendants of an august progenitor. The story is brilliant in part due to a remarkable metafictional twist, the story itself is compiled from historical documents to serve as an instructional template for future generations of women. Despite substantial editorial control that forced Merril to include a rather hokey plot on two hokey planets, the story remains memorable for the well crafted feminist Continue reading Book Review: Out of Bounds, Judith Merril (1960)
On twitter [my account here — please follow! I post interesting things!] I posed the following question:
Which SF author—for the purposes of this site’s focus, an author starting pre-1980—deserves a new (or reprint) single author collection?
GUIDELINES (please read): Said author cannot have a single author collection published within the last 10 years (you can fudge this a bit). It also should be noted that many eBooks aren’t available in the United States (SF Gateway for example). If the recent eBook edition isn’t available in the US, I guess the author fits the bill (*cough* — John Sladek).
Note: If you are thinking about doing some checking before you make your choice (see guidelines) I recommend using isfdb.org as it has mostly up to date publication histories for all but self-published authors.
My vote: Miriam Allen deFord (active from — SF Encyclopedia LINK
Published collections: Xenogenesis (1969) and Elsewhere, Elsewhen, Elsehow (1971)
Reason: Miriam Allen deFord (1888-1975) was one of the major voices in SF magazines from 1946 – 1978. She never made the transition to novels and thus might have lost some readership as a result. The stories in Xenogenesis (1969) shows an often radical voice right from her first story in 1946. Although they might not be as polished as some of her more Continue reading A question for my fellow SF fans: Which SF writer without a single author collection published within the last 10 years should receive a reprint?
(Richard Powers’ cover for the 1966 edition)
3.25/5 (collated rating: Good)
Damon Knight’s Orbit anthology series ran from 1966-1976. A while back I reviewed Orbit 8 (1970)–which contained the brilliant Gardner Dozois “Horse of Air” (1970 and a selection of intriguing Wolfe and Lafferty short stories—and was impressed enough to snatch up a copy of Orbit 1 (1966). And it is graced with a Richard Powers cover I had not seen…
Orbit 1 contains nine short works (with four by women authors) and maintains solid quality throughout. None of the stories—other than Sonya Dorman’s dark and terrifying “Slice of Life”—are masterpieces but Keith Roberts, Kate Wilhelm, Richard McKenna, James Blish, and Thomas M. Disch Continue reading Book Review: Orbit 1 (James Blish, Sonya Dorman, Kate Wilhelm, Thomas M. Disch, Richard McKenna, Poul Anderson, Allison Rice, Keith Roberts, Virginia Kidd), ed. Damon Knight (1966)
I bought these a while back with Admiral Ironbombs at Battered, Tattered, Yellowed, and Creased at the best used SF store I’ve encountered in the United States—Dawn Treader Books in Ann Arbor, MI (if you are ever in Michigan it’s worth the trip). I’m glad I don’t live there else I would have no money. I also discovered that Admiral Ironbombs doesn’t actually buy books that are battered and tattered—I do. I guess he’s more of a “collector” than me. Haha.
Enjoy some nice covers!
Has anyone read the work of Evelyn E. Smith?
1. Best SF: 1970, ed. Harry Harrison and Brian W. Aldiss (1971)
(Paul Lehr’s cover for the 1971 edition) Continue reading Updates: Recent Science Fiction Acquisitions No. CXXIX (Platt + Smith + Anthologies)
(William Hofmann’s cover for the 1964 edition)
4/5 (collated rating: Good)
Filth. Decay. Mud. Transmutation. Brian W. Aldiss’ SF is filled with such images: Men—with limbs removed—who are slowly (and artificially) transmuted into fish, writhe around in the mud of their tanks grasping at the last shards of their humanity; A powerful matriarch lords over a planet where her pets transform at will; A tall tale about a planet filled with strange life and a human hero who cannot get over the fact that everything smells like garbage…. Aldiss’ novel The Dark Light-Years (1964), despite its poor delivery, is the best example of these themes—humans encounter sentient aliens who spend their days copulating, laying around, and eating in their own fifth. And they are happy with their lot.
Starswarm (1964) is comprised of three novelettes and five short stories with conjoining explanatory material that links the previously published short fiction into a cohesive collection. The modus operandi of such a conjoining concerns the “Theory of Multigrade Superannuation” where “the universe is similar to the cosmic clock; the civilizations of man are not mere cogs but infinitely smaller clocks, ticking in their own right” (7). Thus, the inhabited solar systems of Starswarm—our galaxy—will exhibit all the characteristics through which a civilization can Continue reading Book Review: Starswarm, Brian W. Aldiss (1964)
M. John Harrison’s collection The Machine in Shaft Tent (1975) contains one of the more humorous inside flap advertisements I have encountered:
Don’t worry, I certainly intend to “see tomorrow today!” I’ll be disappointed if I can’t!
The others are a strange blend… From Edmund Cooper’s apparently anti-Free Love/60s culture Kronk (1970) to a delightful collection of another one of my favorite years of SF.
Also, I seldom accept advanced reader copies due to my limited time/limited interest in newer SF/and incredible mental block when it comes to, how shall I say it, outside forces guiding my central hobby which tends to take me in a variety of directions solely on whim. But, Gollancz was nice enough to send me their new omnibus collection of 1970s Michael G. Coney novels (amazon link: US, UK). Not only did I enjoy Hello Summer, Goodbye (1975) but I recently reviewed and loved Coney’s bizarre and original Friends Come in Boxes (1973). With two out of two successes it’s hardly like I wouldn’t buy his work on sight anyway (another one of my requirements when accepting AVCs)…. I will review two or three of the novels in the omnibus one at a time over the next few months.
1. The Machine in Shaft Ten, M. John Harrison (1975)
(Chris Foss’ cover for the 1975 edition) Continue reading Updates: Recent Acquisitions No. CXXV (M. John Harrison + Coney 3x + Anthology + Cooper)