Tag Archives: Robert Silverberg

Updates: Recent Science Fiction Acquisitions No. CLXII (Vance + Rucker + Kaye + Godwin + Orbit Anthology)

More SF joins the ranks that cover my shelves, from a Jack Vance Demon Princes sequence novel to a promising Orbit anthology with early Vernor Vinge, Carol Emshwiller, Harlan Ellison, etc.

And the covers!  Powers and Lehr at their best…

And what happened to SF art the 80s? (the Rudy Rucker novel cover terrifies — in a bad way).

As always, thoughts/comments are appreciated!

1.The Palace of Love, Jack Vance (serialized 1966)

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(Richard Powers’ cover for the 1967 edition) Continue reading Updates: Recent Science Fiction Acquisitions No. CLXII (Vance + Rucker + Kaye + Godwin + Orbit Anthology)

Adventures in Science Fiction Cover Art: Art mysteries! Help Identify the SF Cover Artist (Novels by Clarke + Silverberg + Wilhelm, et al.)

Below are a group of uncredited covers whose artists I have not been able to firmly identify.  Some were brought to my attention by Adam who runs a collectible SF store (link).   I’d love to hear your input — make sure to read the guidelines.

Guidelines: If you think a cover is the work of a particular artist, please please please provide some evidence for your claim: for example, a comparison cover, a citation from a book/resource, or, perhaps a link to a canvas or artist webpage.  This makes identifying the artist more authoritative than a vague claim and readers can follow along more easily.  If you think you’ve identified the author, I recommend peeking at their other credited covers at The Internet Speculative Fiction Database.

Pocket Books was notoriously bad at citing their artists.  If we are able to identify a few of those below (Margaret and I and Journey), we might be able to nail down tens more covers missing citations in their catalogue.

The three covers below for Fred Saberhagen’s Empire in the East sequence are clearly by the same artist—the style seems so familiar!  And, the 1974 Signet edition of Cage a Man (1973), F. M. Busby is credited as FMA only.  I wonder if it’s possible to identify who FMA was.

In some cases, I have a pretty good idea who the artist might be but don’t have enough evidence….  I am convinced that Stanislaw Fernandes created the 1974 Signet edition of New Dimensions IV (1974) , ed. Robert Silverberg.  Although, it would be very early in his career and love to have some firm evidence.

I look forward to your ideas!

EDIT: I’ve gone ahead and indicated which ones have been solved by inserting the artist into the citation.

For more Adventures in SF Cover Art consult the INDEX

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(Bob Haberfield’s cover for the 1971 Tandem edition of The Man in the Maze (1968), Robert Silverberg) Continue reading Adventures in Science Fiction Cover Art: Art mysteries! Help Identify the SF Cover Artist (Novels by Clarke + Silverberg + Wilhelm, et al.)

Updates: Recent Science Fiction Acquisitions No. CLIX (Gerrold + Reed + Lewin + Anthology of European Non-English Language SF)

Digression: I have been thinking about “best of” lists and why I seldom approach an author by reading their “best known” work first.  Caveat: I compulsively read the Hugo list as a kid and was exposed to many wonderful authors.

Reading “the acknowledged best” reinforces our notions of what is canon or not canon.  And I am all about puncturing holes in our self-perpetuating notions of canon and SF grand narratives of what is “classic” SF and what is not.  The following dialogue often plays out:

A) “Have you read the best SF novels of the 1970s?”

B) “Yes, I have, from this great top 15 novels list!”

A) “What would you say are the best novels from the 1970s?”

B) “Oh, here you go!” Regurgitates original list.

A) “Have you read other SF novels from the 1970s?”

B) “Umm.”

I am guilty of this as well!  My top 1960s novels list undergoes regular revisions.  The original list was a product of my lack of knowledge.  Regardless, it remains to this day the most popular and commented upon post on my site!  Alas!

Sometimes “the less known” novels are a way to get a feel for what an author is capable of and seeing an author through their body of work leads (at least for me) to greater appreciation for their best (which might not be the ones anointed by the majority).  Barry N. Malzberg: I read In the Enclosure (1973) before  Beyond Apollo (1972).  Doris Piserchia:  Doomtime (1981) before A Billion Days of Earth (1976). Robert Silverberg: Thorns (1967) before Downward to the Earth  (1970).  Christopher Priest:  Indoctrinaire (1970) before The Affirmation (1981).

Third, I put great value on individual exploration. It is humorous and ironic that I have run this review site for six or so years but am reluctant to immediately follow-up on the reading suggestions of others.  I am sorry frequent readers!  I devour the reviews of others for sure (see Part I and Part II for worthwhile resources).  Well-argued reviews with evidence and an understanding of the work’s time and place and reflections on interactions with/or within genre, are more likely to remain with me.  And then, when I am in the book store, I remember what others have said.

The questions I have been pondering: Do I put together a best 20 novels of the 1970s list?  When do I decide whether I have read enough?  Or, do I play the “caveat” game and state that this is bound to change (which it is as I read more)?

Post proper:  My mapping of the contours of Kit Reed’s early oeuvre continues.  Her first SF novel Armed Camps (1969) and her stories in Mister Da V. and Other Stories (1967) demonstrate a knack for humanistic exploration of characters trapped in manifestations of cyclicality—be it social constructions or the forces of history.

David Gerrold’s novels do not inspire…..  At least so far: Space Skimmer (1972) + Yesterday’s Children (variant title: Starhunt) (1972).  Which means, time for short stories!  And yes, his acknowledged best The Man  Who Folded Himself (1973) waits in the wings [From Couch to Moon’s review —> here].

Non-English language SF other than Stanislaw Lem and Arkady and Boris Strugatsky: the biggest hole in my SF knowledge.

And perhaps the find/risk of the bunch, a satirical pseudo-governmental pamphlet that generated endless debate about its authenticity.

As always, thoughts and comments are welcome.

1. With a Finger in My I, David Gerrold (1972)

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(Mati Klarwein’s cover for the 1972 edition) Continue reading Updates: Recent Science Fiction Acquisitions No. CLIX (Gerrold + Reed + Lewin + Anthology of European Non-English Language SF)

Short Book Reviews: Robert Silverberg’s Dying Inside (1972), Universe 2, ed. Terry Carr (1972), and Avram Davidson’s The Enemy of My Enemy (1966)

Here are three short reviews.  Either I waited too long to review the work or in the case of the short story collection, the handful of poor stories (amongst the many gems) faded from memory and I couldn’t convince myself to reread them…

I apologize for the brevity and lack of analysis.  My longer reviews definitely try to get at the greater morass of things but hopefully these will still whet your palette if you haven’t read the works already.

1. Dying Inside, Richard Silverberg (1972)

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(Jerry Thorp’s cover for the 1972 ediiton)

5/5 (Masterpiece) Continue reading Short Book Reviews: Robert Silverberg’s Dying Inside (1972), Universe 2, ed. Terry Carr (1972), and Avram Davidson’s The Enemy of My Enemy (1966)

Adventures in Science Fiction Cover Art: Interview with Emanuel Schongut and a selection of his 1970s SF covers

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(Cover for the 1972 edition of Recalled to Life (1958), Robert Silverberg)

“I think the 60s and 70s were probably one the most creatively interesting periods for everyone. Art, music, film all pushing the envelope. New York City was affordable and fun, fertile in its influences. Book cover art, book jacket art was fun concept art, a bit more free than other illustration work” — Emanuel Schongut

Back on May 19th, I showcased Emanuel Schongut’s 1960s SF covers [link].  His nephew found my post and put me in touch.   Over the last few weeks I have had a wonderful discussion via email about his time creating covers for Doubleday under the direction of Margo Herr (art director + cover illustrator/artist).  Emanuel graciously agreed to a short interview.  He gives a behind-the-scenes look at SF cover illustrating in the 60s/70s, reflects on his own career, and discusses his artistic process.  If you have any questions, I will be more than happy to relay them to the artist.

Also included after the interview is a delightful selection of his 1970s covers–a double post!  I also recommend visiting his online portfolio for his more recent non-SF work.

As always, thoughts and comments are welcome.

Enjoy!

Note: I have made only minor edits for clarity and inserted publication dates where necessary.

Interview

Thank you so much for agreeing to do an interview on your 60s/70s science fiction covers.  Over more than two decades  of producing SF covers for Doubleday, you put together an impressive body of work. They graced novels by some of the most esteemed authors of the genre, including Kate Wilhelm, John Brunner, Clifford D. Simak, Robert Silverberg, Keith Laumer, among others.2) First, can you say a little about yourself.

Thank you for your interest Joachim.

Continue reading Adventures in Science Fiction Cover Art: Interview with Emanuel Schongut and a selection of his 1970s SF covers

Adventures in Science Fiction Art: Cosmic Coral and Eye Trees: The SF Art of H. Lawrence Hoffman

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(Cover for the 1968 edition of Last Door to Aiya (1968), ed. Mirra Ginsburg)

My pseudo-series exploring the more esoteric reaches of SF art continues.  Previous posts include The Brothers Quay and SF Covers, The 1960s Covers of Emanuel Schongut, and A Spotlight on the SF Covers of David McCall Johnston.  You all read my site because of my more esoteric dalliances, right? Hah.

H. Lawrence Hoffman (b. 1911-1977) [wikipedia article]  illustrated a vast range of covers for the major presses such as Popular Library—his mystery novel covers, including those by Dashiell Hammett, are particularly evocative [here is a substantial gallery displaying the range of his non-SF covers].

His use of coral and figures inspired by Central American Art (see his cover for The Gate of Worlds (1967), Robert Silverberg) demonstrate his more experimental moments.  His coral covers are stunning— Last Door to Aiya (1968), ed. Mirra Ginsburg and A Century of Science Fiction (1962), ed. Damon Knight.  And the 1973 edition of Alien Art by Gordon R. Dickson scratches a strange artistic itch…

What are your Continue reading Adventures in Science Fiction Art: Cosmic Coral and Eye Trees: The SF Art of H. Lawrence Hoffman

Updates: Recent Science Fiction Acquisitions No. CLI (Wilhelm + Oliver + Coney + Anthology)

Prepare for a glut of “Recent Science Fiction Acquisition” posts!

From my recent travels and a gift from a friend (@SFPotpourri)….

Michael G. Coney is an odd bird.  If you’re curious what I might mean, check out my reviews of Friends Come in Boxes (1973) and Hello Summer, Goodbye (variant title: Rax) (1975).  In short, I had to procure a short story collection!

Chad Oliver, an early proponent of anthropological SF, intrigues yet frustrates—I need to read more than The Shores of Another Sea (1971) to come to a firm conclusion about his fiction.

And Kate Wilhelm, my views are firmly established — in the spring of last year I put together a Kate Wilhelm guest post series.  Check it out!  I’ve posted reviews for the following: her early collection (for fans of 50s SF only) The Mile-Long Spaceship (1963), her spectacular collection with numerous award-winning stories (for fans of experimental SF) The Downstairs Room and Other Speculative Fiction (1968), her solid SF + psychological horror novel Margaret and I (1971), and her even better novel Juniper Time (1979).

And New Dimensions IV (1974), an anthology edited by Silverberg—with a story from one of the unsung SF greats, David R. Bunch.  I have discussed but not reviewed his collection Moderan (1972).  I placed it on my top 10 SF works (pre-1980) for inclusion in the Gollancz Masterwork series list.  And, has anyone read Felix C. Gotschalk?  It contains two stories by this unknown (at least to me) author.  An overall fantastic lineup (Malzberg, Lafferty, Dozois, Bunch, etc.)….

Thoughts? comments?

[does anyone know the artist for the Silverberg edited anthology?]

1. Monitor Found in Orbit, Michael G. Coney (1974)

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(Kelly Freas’ cover for the 1974 edition) Continue reading Updates: Recent Science Fiction Acquisitions No. CLI (Wilhelm + Oliver + Coney + Anthology)