On twitter [my account here — please follow! I post interesting things!] I posed the following question:
Which SF author—for the purposes of this site’s focus, an author starting pre-1980—deserves a new (or reprint) single author collection?
GUIDELINES (please read): Said author cannot have a single author collection published within the last 10 years (you can fudge this a bit). It also should be noted that many eBooks aren’t available in the United States (SF Gateway for example). If the recent eBook edition isn’t available in the US, I guess the author fits the bill (*cough* — John Sladek).
Note: If you are thinking about doing some checking before you make your choice (see guidelines) I recommend using isfdb.org as it has mostly up to date publication histories for all but self-published authors.
My vote: Miriam Allen deFord (active from — SF Encyclopedia LINK
Published collections: Xenogenesis (1969) and Elsewhere, Elsewhen, Elsehow (1971)
Reason: Miriam Allen deFord (1888-1975) was one of the major voices in SF magazines from 1946 – 1978. She never made the transition to novels and thus might have lost some readership as a result. The stories in Xenogenesis (1969) shows an often radical voice right from her first story in 1946. Although they might not be as polished as some of her more Continue reading A question for my fellow SF fans: Which SF writer without a single author collection published within the last 10 years should receive a reprint?
(Richard Powers’ cover for the 1966 edition)
3.25/5 (collated rating: Good)
Damon Knight’s Orbit anthology series ran from 1966-1976. A while back I reviewed Orbit 8 (1970)–which contained the brilliant Gardner Dozois “Horse of Air” (1970 and a selection of intriguing Wolfe and Lafferty short stories—and was impressed enough to snatch up a copy of Orbit 1 (1966). And it is graced with a Richard Powers cover I had not seen…
Orbit 1 contains nine short works (with four by women authors) and maintains solid quality throughout. None of the stories—other than Sonya Dorman’s dark and terrifying “Slice of Life”—are masterpieces but Keith Roberts, Kate Wilhelm, Richard McKenna, James Blish, and Thomas M. Disch Continue reading Book Review: Orbit 1 (James Blish, Sonya Dorman, Kate Wilhelm, Thomas M. Disch, Richard McKenna, Poul Anderson, Allison Rice, Keith Roberts, Virginia Kidd), ed. Damon Knight (1966)
I bought these a while back with Admiral Ironbombs at Battered, Tattered, Yellowed, and Creased at the best used SF store I’ve encountered in the United States—Dawn Treader Books in Ann Arbor, MI (if you are ever in Michigan it’s worth the trip). I’m glad I don’t live there else I would have no money. I also discovered that Admiral Ironbombs doesn’t actually buy books that are battered and tattered—I do. I guess he’s more of a “collector” than me. Haha.
Enjoy some nice covers!
Has anyone read the work of Evelyn E. Smith?
1. Best SF: 1970, ed. Harry Harrison and Brian W. Aldiss (1971)
(Paul Lehr’s cover for the 1971 edition) Continue reading Updates: Recent Science Fiction Acquisitions No. CXXIX (Platt + Smith + Anthologies)
Finally, a famous (“Joachim Boaz you will adore it”) fix-up novel by Keith Roberts enters my collection….
Overpopulation SF never gets old—even if I have low expectations about this one.
More Pangborn and a singleton Cherryh novel I had never heard of….
1. A Torrent of Faces, James Blish & Norman L. Knight (1967)
(Diane and Leo Dillon’s cover for the 1968 edition) Continue reading Updates: Recent Science Fiction Acquisitions No. CXXVIII (Roberts + Cherryh + Blish + Knight + Pangborn)
The sixth in my Kate Wilhelm’s SF Guest Post Series (original announcement and post list) comes via 2theD (twitter) over at Potpourri of Science Fiction Literature and Tongues of Speculation. He is a prolific blogger of vintage, translated, and newer science fiction. Unfortunately, and much to my frustration (he knows!), he is on something of a hiatus (other than short story summaries and ratings). Thus, when I approached him about participating in this series he volunteered one of his older reviews. As I remembered it fondly, I agreed.
Thanks so much for contributing!
(Patrick Goodfellow’s (?) cover for the 1972 edition)
Kate Wilhelm is among a handful of female science fiction writers who need no introduction. She’s authored scores of short stories, about thirty-six genre novels, and eleven collections. She’s probably more prolific than many common and respectable male authors, yet she receives very little of the limelight that’s due to her (outside of SFMistress’s occasional posting on her work). Of her novels, I read her most popular work Where Late the Sweet Birds Sang (1976) and the much lesser popular Let the Fire Fall (1969), their respective popularity very much reflecting their quality. The two-story collection in Abyss (1971) had some Continue reading Guest Post: The Killer Thing, Kate Wilhelm (1967)
The third in my Kate Wilhelm’s SF Guest Post Series (original announcement and post list) comes via Mike White (twitter)—a research biologist at Washington University in St. Louis, MO—who blogs on mostly early SF (pre-1920) and a variety of science topics with a whole cast of other writers at The Finch and the Pea (a “public house for science”). This is his first contribution to one of my guest post series and it is greatly appreciated (and won’t be his last).
He selected, on purpose (in very Joachim Boaz fashion I might add), what might be Kate Wilhelm’s least known SF novel. Early in her career she wrote two novels with Theodore L. Thomas: the Nebula-nominated The Clone (1965) and Year of the Cloud (1970).
(Francois Colos’ cover for the 1970 edition)
Post-apocalyptic stories do many things, one of which is to question our mastery of nature. We’re used to relying on technology to bend the world to our will — science stands between us and the brute forces of nature. Extinction is for lesser species. But post-apocalyptic stories remind us of all the ways that nature could wipe us out: the Earth could collide with a comet or pass through a toxic cloud of space gas, the sun could fade or go nova, or some pandemic plague could arise that kills us directly, wipes out our food supply, or turns us into the walking dead.
As horrifying as these events would be in real life, there is a strain of post-apocalyptic fiction that doesn’t see these disasters as all bad. Killing off most of humanity offers, in fiction anyway, a chance to wipe the slate clean and start over. With the post-holocaust world much less crowded, noisy, and Continue reading Guest Post: Year of the Cloud, Kate Wilhelm and Theodore L. Thomas (1970)
(John Schoenherr’s cover for the 1964 edition of Alien Worlds (1964), ed. Roger Elwood)
Michael Whelan’s cover for the 1979 Dutch edition of Greybeard (1964) by Brian W. Aldiss appeared in a collection of SF art Space Wars, Worlds & Weapons (1977). I remember encountering the collection at a used bookstore, perhaps in Philadelphia when I went to visit my grandparents… It terrified me for years. The bizarre metal construct looming over the destroyed world—and most of all, the strange tentacled hands…
…hence, today’s themed art post!
Tentacles and Other Strange Appendages.
I have a confession: I am warming to the art of Charles Moll—1974 edition of New Dimensions 3 ed. Continue reading Adventures in Science Fiction Art: Tentacles and Other Strange Appendages