Tag Archives: french

Adventures in Science Fiction Cover Art: Lacroix’s Delicate Lines and Mutations (60s/70s covers for the French SF Magazine Fiction)

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(Cover for Fiction, #228 (1972), ed. Alain Dorémieux)

In the 60s and 70s the covers for Fiction—“the leading journal of science fiction and fantasy in France” until its cancellation in 2015—were characterized by simple color schemes punctuating by often delicate line work. Working within these strictures (I suspect to cut back on printing costs), a handful of artists pop out from the herd: Jean-Claude Forest, Philippe Curval, Wojtek Siudmak, Philippe Caza….

….and the mysterious Lacroix about which I can find little online. If anyone knows more about him, or if it’s a pseudonym for another artist, let me know!

I’ve included slightly more than half of Lacroix’s total SF art credits and two of them in particular resonate with me: Fiction, #228 (1972) (above) and Fiction, #197 (1970) (below). In the former the eyes staring out of the robotic body exudes horror and existential terror. And the mechanical body descends into some more sprawling contraption, losing its human form Continue reading Adventures in Science Fiction Cover Art: Lacroix’s Delicate Lines and Mutations (60s/70s covers for the French SF Magazine Fiction)

A Film Rumination: He Who Must Die (Celui Qui Doit Mourir), Jules Dassin (1957)

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7.5/10 (Good)

American director Jules Dassin — famous for his 40s and 50s film noir works Brute Force, Rififi, Night and the City, The Naked City — departs from his normal stomping ground with an adaptation of Nikos Kazantzaki’s 1948 novel The Greek Passion.  Dassin left the US for France because of his Communist affiliations — hence, the film is in Continue reading A Film Rumination: He Who Must Die (Celui Qui Doit Mourir), Jules Dassin (1957)

A Film Rumination: A Sunday in the Country, Bertrand Tavernier (1984)

7/10 (Good)

The famous French director Bertrand Tavernier has produced some remarkable films (Coup de Torchon and Life and Nothing But for example).  A Sunday in the Country is considered by many to be among his best.  My opinion is more tempered — if you’re in the mood for a minimalist family drama in the beautiful French countryside without much “drama” Continue reading A Film Rumination: A Sunday in the Country, Bertrand Tavernier (1984)