Tag Archives: France

Guest Post: Three Short Stories by French Women SF Writers Pre-1969: “The Devil’s Goddaughter” (1960), Suzanne Malaval, “Moon-Fishers” (1959), Nathalie Henneberg, “The Chain of Love” (1955), Catherine Cliff

The first guest post in my series SF Short Stories by Women Writers pre-1969 (original announcement) comes via Rachel S. Cordasco (follow her on twitter) who runs the spectacular, and much needed, resource Speculative Fiction in Translation and who blogs on literature more generally at Bookishly Witty.  She also writes for tor.com and Book Riot.

Check out her list of reviews organized by country! Israel, Iraq, France, Italy, Korea, etc.

Her post focuses on three stories by French women writers: “The Devil’s Goddaughter” (1960) by Suzanne Malaval, “Moon-Fishers” (1959) by Nathalie Henneberg, and “The Chain of Love” (1955) by Catherine Cliff.

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(Louis S. Glanzman’s cover for the 1965 edition of 13 French Science-Fiction Stories (1965), ed. and trans., Damon Knight)

Three Stories from 13 French Science-Fiction Stories, edited and translated by Damon Knight (Bantam Books, 1965, 165 pages).

by Rachel S. Cordasco

Don’t be put off by the purple prose on the front and back covers; 13 French Science-Fiction Stories is a fantastic resource for anyone looking to read more widely in the Continue reading Guest Post: Three Short Stories by French Women SF Writers Pre-1969: “The Devil’s Goddaughter” (1960), Suzanne Malaval, “Moon-Fishers” (1959), Nathalie Henneberg, “The Chain of Love” (1955), Catherine Cliff

A Film Rumination: He Who Must Die (Celui Qui Doit Mourir), Jules Dassin (1957)

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7.5/10 (Good)

American director Jules Dassin — famous for his 40s and 50s film noir works Brute Force, Rififi, Night and the City, The Naked City — departs from his normal stomping ground with an adaptation of Nikos Kazantzaki’s 1948 novel The Greek Passion.  Dassin left the US for France because of his Communist affiliations — hence, the film is in Continue reading A Film Rumination: He Who Must Die (Celui Qui Doit Mourir), Jules Dassin (1957)

A (short) Film Rumination: La Charcuterie Méchanique (The Mechanical Butcher), Auguste and Louis Lumière (1895)

The brothers Auguste and Louis Lumière were two of the earliest and most influential film directors. La Charcuterie Méchanique (1895), considered one of the earliest “sc-fi” films of all time, predicts the mechanical butcher.  A rather simple machine “transforms” a pig into Continue reading A (short) Film Rumination: La Charcuterie Méchanique (The Mechanical Butcher), Auguste and Louis Lumière (1895)

A Film Rumination: Three Crowns of the Sailor, Raoul Ruiz (1983)

8.25/10 (Very Good)

If Jan Potocki’s fantastic 18th century novel A Manuscript Found in Saragossa — a frame story within a frame story within a frame story — was recited over the course of a wine filled evening by a drunken sailor the result might conjure something of the  kaleidoscope of heavily tinted Continue reading A Film Rumination: Three Crowns of the Sailor, Raoul Ruiz (1983)

A Film Rumination: The Hypothesis of the Stolen Painting, Raoul Ruiz (1979)

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8/10 (Very Good — read the friendly warnings before you embark….)

We enter, from the street, a sprawling house occupied by a single long-winded art collector of dubious authority and his proliferation of mannequins and silent helpers Continue reading A Film Rumination: The Hypothesis of the Stolen Painting, Raoul Ruiz (1979)