Tag Archives: Christopher Priest

Updates: Recent Science Fiction Acquisitions No. CLXXIII (Priest + Davidson + Scott + Tate)

1) Barry N. Malzberg’s back cover blurb for Jody Scott’s 1977 novel suggests a worthwhile, or at least intriguing (and satirical), read: “What Paganini did to four strings and three-and-a-half octaves, Jody Scott does for our dear, undead genre.”

My first The Women’s Press edition!

2) My Christopher Priest collection nears completion. Has anyone read his early novel Fugue for A Darkening Island (1972)? Although I adore the short fiction and novels of his I’ve read so far, this premise has the potential to be deeply problematic (racist, etc). That said, I discovered my copy is signed! Purchased it for $4 with shipping off of Abebooks — it’s a $50+ book with signature.

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For more on his work: The Affirmation (1981), Real-Time World (1974), An Infinite Summer (1979), and Indoctrinaire (1970).

3) A collection of Avram Davidson stories. The title story “Or All the Seas with Oysters” won the 1958 Hugo for Best Short Story. The two works of his I’ve read so far disappointed: The Enemy of My Enemy (1966) and “Rife of Spring” (1970).

4) Peter Tate’s stories mostly appeared in various New Worlds publications. Although hailing from the UK, his novels were almost entirely published by Doubleday Press in the US. In the past I read “The Post-Mortem People” (1966) and found it a functional New Wave experiment. As is my wont, I tracked down a collection of his short fictions.

As on all posts, thoughts and comments are welcome!

~

1. Passing for Human, Jody Scott (1977)

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(Miss Moss’ cover for the 1986 edition) Continue reading Updates: Recent Science Fiction Acquisitions No. CLXXIII (Priest + Davidson + Scott + Tate)

Adventures in SF Cover Art: Collage and Mechanism: Anita Siegel’s Art for Doubleday Science Fiction

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(Cover for the 1975 edition of The Hellhound (1975), Ron Goulart)

Over the past year or so I’ve explored the artists behind Doubleday Science Fiction—from the early art of The Brothers Quay, who later became well-known directors of experimental short film, to an interview with artist Emanuel Schongut. I’ve included the links to other posts in the loose series below.

Anita Siegel (1939-2011) was a Brooklyn based artist best known for her “sardonic collages seamlessly combining pictures into biting satires” (from her obituary). Her work also featured in the New York Times Op-Ed page (especially during Continue reading Adventures in SF Cover Art: Collage and Mechanism: Anita Siegel’s Art for Doubleday Science Fiction

Updates: 2016 in Review (best novels + best short stories + best anthologies + notable posts)

Dear readers, thank you all profusely for your comments, words of thanks, and emails over the year. It is my overarching goal to inspire you all to read more SF from the 50s-70s, dust off the boxes of your parents’ books in some forgotten closet, browse the shelves at your local used book store (or favorite online store), reflect on the often fascinating cover art…

2016 was not the most productive reading/reviewing year as my PhD dissertation defense date rapidly approaches. For the purposes of maintaining my sanity, reading and writing about SF remains my primary relaxation hobby—surprising perhaps as I read a lot of depressing SF that wouldn’t be “relaxing” for most people. According to Megan at From Couch to Moon I like my fiction “moody, broody, meta, and twisted.”

And other than a few satires here and there, my favorite SF reads of 2016 fit firmly within Megan’s descriptors.

Thanks again!

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Best novels

  1. The Affirmation, Christopher Priest (1981)
  2. The Infernal Desire Machines of Doctor Hoffman (variant title: The War of Dreams), Angela Carter (1972). Review forthcoming 
  3. The Dream Millennium, James White (serialized 1973, novel 1974)
  4. The Committed Men, M. John Harrison (1971)

Continue reading Updates: 2016 in Review (best novels + best short stories + best anthologies + notable posts)

Book Review: Real-Time World, Christopher Priest (1974)

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(Bruce Pennington’s cover for the 1976 edition)

3.75/5 (collated rating: Good)

Christopher Priest’s An Infinite Summer (1979) clocks in as my second highest rated single-author collection, behind Michael Bishop’s Catacomb Years (1979), so far in the life of my site.  I find Priest’s fiction intense and hypnotic.

As Real-Time World (1974) contains a range of Priest’s earliest published short stories, one cannot escape the feel that he is still trying to find his way as an author.  Similar indecision characterized his first novel Indoctrinaire (1970). The best stories in the collection revolve around the themes—the complex nature of perception and reality, psychologically unsettled environments and characters, voyeurism and performance—that his later Continue reading Book Review: Real-Time World, Christopher Priest (1974)

Updates: Recent Science Fiction Acquisitions No. CLIX (Gerrold + Reed + Lewin + Anthology of European Non-English Language SF)

Digression: I have been thinking about “best of” lists and why I seldom approach an author by reading their “best known” work first.  Caveat: I compulsively read the Hugo list as a kid and was exposed to many wonderful authors.

Reading “the acknowledged best” reinforces our notions of what is canon or not canon.  And I am all about puncturing holes in our self-perpetuating notions of canon and SF grand narratives of what is “classic” SF and what is not.  The following dialogue often plays out:

A) “Have you read the best SF novels of the 1970s?”

B) “Yes, I have, from this great top 15 novels list!”

A) “What would you say are the best novels from the 1970s?”

B) “Oh, here you go!” Regurgitates original list.

A) “Have you read other SF novels from the 1970s?”

B) “Umm.”

I am guilty of this as well!  My top 1960s novels list undergoes regular revisions.  The original list was a product of my lack of knowledge.  Regardless, it remains to this day the most popular and commented upon post on my site!  Alas!

Sometimes “the less known” novels are a way to get a feel for what an author is capable of and seeing an author through their body of work leads (at least for me) to greater appreciation for their best (which might not be the ones anointed by the majority).  Barry N. Malzberg: I read In the Enclosure (1973) before  Beyond Apollo (1972).  Doris Piserchia:  Doomtime (1981) before A Billion Days of Earth (1976). Robert Silverberg: Thorns (1967) before Downward to the Earth  (1970).  Christopher Priest:  Indoctrinaire (1970) before The Affirmation (1981).

Third, I put great value on individual exploration. It is humorous and ironic that I have run this review site for six or so years but am reluctant to immediately follow-up on the reading suggestions of others.  I am sorry frequent readers!  I devour the reviews of others for sure (see Part I and Part II for worthwhile resources).  Well-argued reviews with evidence and an understanding of the work’s time and place and reflections on interactions with/or within genre, are more likely to remain with me.  And then, when I am in the book store, I remember what others have said.

The questions I have been pondering: Do I put together a best 20 novels of the 1970s list?  When do I decide whether I have read enough?  Or, do I play the “caveat” game and state that this is bound to change (which it is as I read more)?

Post proper:  My mapping of the contours of Kit Reed’s early oeuvre continues.  Her first SF novel Armed Camps (1969) and her stories in Mister Da V. and Other Stories (1967) demonstrate a knack for humanistic exploration of characters trapped in manifestations of cyclicality—be it social constructions or the forces of history.

David Gerrold’s novels do not inspire…..  At least so far: Space Skimmer (1972) + Yesterday’s Children (variant title: Starhunt) (1972).  Which means, time for short stories!  And yes, his acknowledged best The Man  Who Folded Himself (1973) waits in the wings [From Couch to Moon’s review —> here].

Non-English language SF other than Stanislaw Lem and Arkady and Boris Strugatsky: the biggest hole in my SF knowledge.

And perhaps the find/risk of the bunch, a satirical pseudo-governmental pamphlet that generated endless debate about its authenticity.

As always, thoughts and comments are welcome.

1. With a Finger in My I, David Gerrold (1972)

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(Mati Klarwein’s cover for the 1972 edition) Continue reading Updates: Recent Science Fiction Acquisitions No. CLIX (Gerrold + Reed + Lewin + Anthology of European Non-English Language SF)

Short Book Reviews: Theodore Sturgeon’s Venus Plus X (1960), Christopher Priest’s The Affirmation (1981), and Barry N. Malzberg’s Screen (1968)

Cycle: read a book, place it in the review pile, the immediacy of the novel fades slightly or the novel fights every moment of the review writing process (–> Priest’s masterpiece The Affirmation), never review it, feel bad that I never reviewed the novel, read less in order to catch up…

Result: less reading and more pouting.

Remedy: In order to catch up, here are short/less intensive reviews with links to in-depth analysis (if it exists).  Part I + II (books by Budrys, Strete, White, Bishop, etc).

1. Venus Plus X, Theodore Sturgeon (1960)

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(Victor Kalin’s cover for the 1960 edition) Continue reading Short Book Reviews: Theodore Sturgeon’s Venus Plus X (1960), Christopher Priest’s The Affirmation (1981), and Barry N. Malzberg’s Screen (1968)

Updates: Recent Science Fiction Acquisitions No. CXLIV (Farmer + Anderson + Two Anthologies including Aldiss, Wilhelm, Priest, Disch, etc.)

I have been on a short story kick as of late! Three of the following volumes are short story collections (two anthologies).  I want to complete the Orbit series, ed. Damon Knight….

And, well, I have a soft spot for Philip José Farmer’s 50s/60s SF after Strange Relations (1960).

Thoughts? Comments?

  1. Orbit 12, ed. Damon Knight (1973)

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(Paul Lehr’s cover for the 1973 edition) Continue reading Updates: Recent Science Fiction Acquisitions No. CXLIV (Farmer + Anderson + Two Anthologies including Aldiss, Wilhelm, Priest, Disch, etc.)