Tag Archives: avant-garde

Guest Post: The Killer Thing, Kate Wilhelm (1967)

The sixth in my Kate Wilhelm’s SF Guest Post Series (original announcement and post list) comes via 2theD (twitter) over at Potpourri of Science Fiction Literature and Tongues of Speculation. He is a prolific blogger of vintage, translated, and newer science fiction.  Unfortunately, and much to my frustration (he knows!), he is on something of a hiatus (other than short story summaries and ratings).  Thus, when I approached him about participating in this series he volunteered one of his older reviews.  As I remembered it fondly, I agreed.

Thanks so much for contributing!

~

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(Patrick Goodfellow’s (?) cover for the 1972 edition)

Kate Wilhelm is among a handful of female science fiction writers who need no introduction. She’s authored scores of short stories, about thirty-six genre novels, and eleven collections. She’s probably more prolific than many common and respectable male authors, yet she receives very little of the limelight that’s due to her (outside of SFMistress’s occasional posting on her work). Of her novels, I read her most popular work Where Late the Sweet Birds Sang (1976) and the much lesser popular Let the Fire Fall (1969), their respective popularity very much reflecting their quality. The two-story collection in Abyss (1971) had some Continue reading Guest Post: The Killer Thing, Kate Wilhelm (1967)

Updates: Recent Science Fiction Acquisitions No. CXXVII (Malzberg + Silverberg + Biggle, Jr. + Zelazny)

One of Robert Silverberg’s most famous 70s novels…

Barry N. Malzberg’s first published novel (more speculative fiction than SF)…

Lloyd Biggle, Jr.’s best known novel…

And Roger Zelazny’s first published collection of SF shorts…

And some great covers!

1. The Book of Skulls, Robert Silverberg (1971)

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(Uncredited cover for the 1971 edition) Continue reading Updates: Recent Science Fiction Acquisitions No. CXXVII (Malzberg + Silverberg + Biggle, Jr. + Zelazny)

Book Review: Starswarm, Brian W. Aldiss (1964)

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(William Hofmann’s cover for the 1964 edition)

4/5 (collated rating: Good)

Filth.  Decay.  Mud.  Transmutation.  Brian W. Aldiss’ SF is filled with such images:  Men—with limbs removed—who are slowly (and artificially) transmuted into fish, writhe around in the mud of their tanks grasping at the last shards of their humanity;  A powerful matriarch lords over a planet where her pets transform at will;  A tall tale about a planet filled with strange life and a human hero who cannot get over the fact that everything smells like garbage…. Aldiss’ novel The Dark Light-Years (1964), despite its poor delivery, is the best example of these themes—humans encounter sentient aliens who spend their days copulating, laying around, and eating in their own fifth.  And they are happy with their lot.

Starswarm (1964) is comprised of three novelettes and five short stories with conjoining explanatory material that links the previously published short fiction into a cohesive collection.  The modus operandi of such a conjoining concerns the “Theory of Multigrade Superannuation” where “the universe is similar to the cosmic clock; the civilizations of man are not mere cogs but infinitely smaller clocks, ticking in their own right” (7).  Thus, the inhabited solar systems of Starswarm—our galaxy—will exhibit all the characteristics through which a civilization can Continue reading Book Review: Starswarm, Brian W. Aldiss (1964)

Guest Post: Margaret and I, Kate Wilhelm (1971)

 The fifth in my Kate Wilhelm’s SF Guest Post Series (original announcement and post list) comes via Max Cairnduff (twitter)—who reviews literature and occasionally SF over at Pechorin’s Journal.  In the past he has contributed to my Michael Bishop series. He is responsible for introducing me to one of my favorite works of all time, Anna Kavan’s phenomenal hallucination of a novel Ice (1967)—so check out his site.

Although he does not seem to have enjoyed Margaret and I (1971) as much as I did, his review does touch on the novel’s extreme psychological power and ingenious set-up.

Thank you so much for contributing!

~

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(Uncredited cover for the 1978 edition)

Nominated for the 1972 Nebula Award for Best Novel

The only Kate Wilhelm I’d read before Joachim invited me to take part in this Guest Post series was her novel Welcome, Chaos. I’ve not even read Where Late the Sweet Birds Sang (though I always thought I had, which ironically is probably what stopped me reading it).

Beyond those two titles I knew very little about her work. Joachim though knows his vintage SF, so when he invited me Continue reading Guest Post: Margaret and I, Kate Wilhelm (1971)

Updates: Recent Science Fiction Acquisitions No. CXXVI (Lessing, Silverberg, Sheckley, Dickson)

I have yet to read anything by the Nobel Prize for Literature-winning author Doris Lessing…  And she wrote numerous SF novels—I’m very excited that I found one in a clearance section for 2$.  I also found one of the very few 1970s works by Silverberg not in my collection.  Dickson’s supposedly most mature novel (which I doubt is very good) also joins my collection.  So far the only Dickson I can tolerate are a handful of his short stories. And finally, my last acquisition is one of Robert Sheckley’s best-loved novels.

Thoughts?

1. The Memoirs of a Survivor, Doris Lessing (1974)

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(Brad Holland’s cover for the 1988 edition) Continue reading Updates: Recent Science Fiction Acquisitions No. CXXVI (Lessing, Silverberg, Sheckley, Dickson)

Guest Post: The Infinity Box, Kate Wilhelm (1975)

The second in my Kate Wilhelm’s SF Guest Post Series (original announcement and post list) comes via Heloise Larou (twitter) who blogs on a variety of genres and topics over at Heloise Merlin’s Weblog.  She previously contributed an absolutely stupendous review for my Michael Bishop series (here).

Thank you for contributing!

~

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(Appelbaum & Curtis, Inc’s cover for the 1975 edition)

Science Fiction trappings are kept to an absolute minimum in this story collection first released in 1975, and even if the author does make use of some traditional SFnal gadget, she keeps it as unobtrusive as possible, like a time machine coming in the guise of an expensive but otherwise quite normal-seeming watch (in “The Time Piece”). And Kate Wilhelm does not bother with explanations either, not even a minimal hand-waving, some of the stories (most notably, and in spite of the title Continue reading Guest Post: The Infinity Box, Kate Wilhelm (1975)

Updates: Recent Acquisitions No. CXXV (M. John Harrison + Coney 3x + Anthology + Cooper)

M. John Harrison’s collection The Machine in Shaft Tent (1975) contains one of the more humorous inside flap advertisements I have encountered:

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Don’t worry, I certainly intend to “see tomorrow today!”  I’ll be disappointed if I can’t!

The others are a strange blend…  From Edmund Cooper’s apparently anti-Free Love/60s culture Kronk (1970) to a delightful collection of another one of my favorite years of SF.

Also, I seldom accept advanced reader copies due to my limited time/limited interest in newer SF/and incredible mental block when it comes to, how shall I say it, outside forces guiding my central hobby which tends to take me in a variety of directions solely on whim.  But, Gollancz was nice enough to send me their new omnibus collection of 1970s Michael G. Coney novels (amazon link: US, UK).  Not only did I enjoy Hello Summer, Goodbye (1975) but I recently reviewed and loved Coney’s bizarre and original Friends Come in Boxes (1973).  With two out of two successes it’s hardly like I wouldn’t buy his work on sight anyway (another one of my requirements when accepting AVCs)….  I will review two or three of the novels in the omnibus one at a time over the next few months.

Thoughts?

1. The Machine in Shaft Ten, M. John Harrison (1975)

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(Chris Foss’ cover for the 1975 edition) Continue reading Updates: Recent Acquisitions No. CXXV (M. John Harrison + Coney 3x + Anthology + Cooper)