Tag Archives: 1970s

Adventures in Science Fiction Cover Art: Lacroix’s Delicate Lines and Mutations (60s/70s covers for the French SF Magazine Fiction)

_57-3

(Cover for Fiction, #228 (1972), ed. Alain Dorémieux)

In the 60s and 70s the covers for Fiction—“the leading journal of science fiction and fantasy in France” until its cancellation in 2015—were characterized by simple color schemes punctuating by often delicate line work. Working within these strictures (I suspect to cut back on printing costs), a handful of artists pop out from the herd: Jean-Claude Forest, Philippe Curval, Wojtek Siudmak, Philippe Caza….

….and the mysterious Lacroix about which I can find little online. If anyone knows more about him, or if it’s a pseudonym for another artist, let me know!

I’ve included slightly more than half of Lacroix’s total SF art credits and two of them in particular resonate with me: Fiction, #228 (1972) (above) and Fiction, #197 (1970) (below). In the former the eyes staring out of the robotic body exudes horror and existential terror. And the mechanical body descends into some more sprawling contraption, losing its human form Continue reading Adventures in Science Fiction Cover Art: Lacroix’s Delicate Lines and Mutations (60s/70s covers for the French SF Magazine Fiction)

Updates: Recent Science Fiction Acquisitions No. CLXXII (Moorcock + Tennant + Sladek + White)

1) I made a “resolution” to read more John Sladek — miserable covers aside. Now what is that spaceman doing standing next the elephant? Although Sladek is rather on the surreal/comical end of things, Peter Goodfellow took the surreal title literally. Not his finest artistic moment. Now if only I could convince myself to put together my disperate thoughts on The Müller-Fokker Effect (1970) into something cohesive.

2) Although New Worlds editor supreme” Michael Moorcock’s novels haven’t not received the warmest reception on my site, I am determined to get a better sense of his fiction by exploring his short work. And this collection seems fantastic! It’s illustrated, there’s a comic strip (image below), and the Savoy Books publication includes tons of fascinating blurbs about other books both speculative and non-genre.

See my reviews of An Alien Heat (1972) and The Ice Schooner (1969).

The title page of the Jerry Cornelius comic.

jerry-cornelius-comic

3) A lesser known James White novel… Only printed in the UK.

James White is one of THE finds of the last few years. Best known for simple but earnest (and pacifistic) 50s stories about doctors solving alien medical problems, his novels demonstrate surprising power. A reader and frequent commentator (see I listen!) suggested I procure one of his late 70s novels unknown to me. I cannot wait to read it.

See my reviews of The Dream Millennium (1973), All Judgement Fled (1968), and The Watch Below (1966).

4) I recently discussed Emma Tennant’s work and how she was influenced by the UK SF scene (Ballard et al) here. Yes, I showed my inner academic by citing a few articles — many fans don’t realize that there’s serious and fascinating academic study of the genre. And, as literary historians are wont to do, they provide (often) relevant and erudite analysis of development of genre etc. I would pull more in if time allowed.  I am currently reading Tennant’s novel and it’s intriguing so far!

Scans are from my own collection (in order to zoom in on the zany madness, click on the image).

I look forward to your comments/thoughts!

Continue reading Updates: Recent Science Fiction Acquisitions No. CLXXII (Moorcock + Tennant + Sladek + White)

Fragment(s): Emma Tennant on the Influence of the 1970s British SF Scene

emma tennant.jpg

(Candy Amsden’s cover for the 1978 edition of The Crack (variant of: The Time of the Crack) (1973), Emma Tennant)

As I recently procured a copy of Emma Tennant’s The Crack (variant title: The Time of the Crack) (1973) in which a fault line appears under London destroying half the city, I decided to research her work.

William Grimes describes Emma Tennant’s fiction—in a New York Times retrospective on her life and works—as blending “fantasy, science fiction and social satire” that “explored the borderland between daylight and dreams, anatomized contemporary Britain.” Grimes quotes Gary Indiana’s 1990 The Village Voice article: “a startling procession of novels unlike anything else being written in England: wildly imaginative, Continue reading Fragment(s): Emma Tennant on the Influence of the 1970s British SF Scene

Book Review: The Resurrectionist, Gary K. Wolf (1979)

new-books_page_2

(Margo Herr’s cover for the 1979 edition)

2.75/5 (Vaguely Average)

“Corporate authorities referred to him instead as the Resurrectionist, the man who dragged the living back from electrical purgatory” (5)

Gary K. Wolf, best known for Who Censored Roger Rabbit? (1981), started his writing career with three SF novels for Doubleday—Killerbowl (1975), A Generation Removed (1977), and The Resurrectionist (1979). Doubleday’s art director, Margo Herr, provided The Resurrectionist‘s captivating cover, which suggests the corruption of pattern, the subversion of delicate movement. A few reflective, but altogether too fleeting, moments suggest Wolf might have had similar ideas at the back Continue reading Book Review: The Resurrectionist, Gary K. Wolf (1979)

Updates: Recent Science Fiction Acquisitions No. CLXXI (Silverberg + Lafferty + Sterling + Nolan)

1) William F. Nolan, best known for Logan’s Run (1967) (film adaptation 1976), was also a prolific short story author. As with my acquisition of Thomas N. Scortia’s collection The Best of Thomas N. Scortia (1981) a while back, I am hoping that a range of short stories might be the best way to approach an author new to me.

*wince*–> My edition has a miserable Chris Foss clone (Tony Roberts) cover!

2) As many R. A. Lafferty novels cost a pretty penny, I now buy them on sight if they are within my price range. I posted recently on Mati Klarwein’s fantastic covers–> here. My high resolution scan should convey the complexity and skill of the art!

3) Silverberg collections fall under the purchase compulsively category. I’ve read two or three from this particular volume already including the wonderful “How It Was When the Past Went Away” (1969).

4) A while back a reader recommended Bruce Sterling’s The Artificial Kid (1980). My wife saw a well-worn copy at a local Half Price Books and procured it for me. I read numerous Sterling works from the late 80s and 90s back when I consumed “newer” SF. I reviewed his first novel a few months ago—Involution Ocean (1977).

The cover is awful. The 1980s aesthetic pains me…

All images are scans from my own collection (click image to zoom).

As always, thoughts/comments are welcome.

1. Wonderworlds, William F. Nolan (1977 )

nolan-wonderworlds

(Tony Roberts’ cover for the 1979 edition) Continue reading Updates: Recent Science Fiction Acquisitions No. CLXXI (Silverberg + Lafferty + Sterling + Nolan)

Adventures in Science Fiction Cover Art: The SF art of Mati Klarwein–the artist behind Miles Davis’ Bitches Brew (1970)

bitches-brew

(Mati Klarwein’s 1970 cover for Miles Davis’ album Bitches Brew)

Mati Klarwein (wikipedia link) was a German artist of Jewish origin who fled the Nazis to British Palestine. After the fall of the Nazis, he received an art education in Paris and gained French citizenship. Famous for his album covers—notably Miles Davis’ famous Bitches Brew (1970) (above) and Santana’s Abraxas (1969) (below)—Klarwein also created (or his art was used for) SF covers. Characterized by an obsessive eye for the detail (click and zoom in on Lafferty’s Arrive at Easterwine scan I included from my collection), Klarwein’s almost mandalic covers draw on a wide range of artistic influences. Unfortunately, quite a few are uncredited or credited to the incorrect artist—his cover for the 1972 edition of The World’s Desire (1890) by H. Rider Continue reading Adventures in Science Fiction Cover Art: The SF art of Mati Klarwein–the artist behind Miles Davis’ Bitches Brew (1970)

Updates: Recent Science Fiction Acquisitons No. CLXX (Leiber + Lafferty + Stapledon + Soviet SF Anthology)

1) Lafferty collections are notoriously hard to find and tend to be on the expensive side—at least for 60s/70s paperbacks. I’ve already read two or three stories in the one below in different anthologies over the years—I remember “Continued on Next Rock” (1970) most clearly. The Jack Gaughan cover evokes the sheer oddness of Lafferty’s visions. Does it illustrate a story in the collection?

2) Readers have spoken highly of this particular Leiber novel. So I found a copy… not cheap. Alas. See, I sometimes listen to suggestions!

3) I always buy Soviet SF collections. The editor is uncredited but Judith Merril provides a five page introduction I’m eager to read. Maybe she’s the editor? EDIT: According to The Internet Speculative Fiction Database, Judith Merril holds the copyright — indicating that she is the uncredited editor.

4) My first Olaf Stapledon. Someone whose influence I’ve read widely about and been aware of for years. It’s about time I added a few of his works to my collection. I love Paul Klee, but not the art used for the Penguin cover! (In the Land of the Precious Stone, 1929).

All images are scans from my own collection (click image to zoom).

As always, thoughts/comments are welcome.

Enjoy!

1. Strange Doings, R. A. Lafferty (1972)

recent-acquisitions_page_3

(Jack Gaughan’s cover for the 1973 edition) Continue reading Updates: Recent Science Fiction Acquisitons No. CLXX (Leiber + Lafferty + Stapledon + Soviet SF Anthology)