(Art Sussman’s cover for the 1960 edition)
3.25/5 (collated rating: Vaguely Good)
I have long been a fan of both Judith Merril’s fiction and edited volumes. The eponymous novella in the collection Daughters of Earth (1968) is one of more delightful visions from the 1950s I have encountered. Merril reframes biblical patrilineal genealogy as matrilineal–i.e. humankind’s conquest of space is traced via the female descendants of an august progenitor. The story is brilliant in part due to a remarkable metafictional twist, the story itself is compiled from historical documents to serve as an instructional template for future generations of women. Despite substantial editorial control that forced Merril to include a rather hokey plot on two hokey planets, the story remains memorable for the well crafted feminist Continue reading Book Review: Out of Bounds, Judith Merril (1960)
On twitter [my account here — please follow! I post interesting things!] I posed the following question:
Which SF author—for the purposes of this site’s focus, an author starting pre-1980—deserves a new (or reprint) single author collection?
GUIDELINES (please read): Said author cannot have a single author collection published within the last 10 years (you can fudge this a bit). It also should be noted that many eBooks aren’t available in the United States (SF Gateway for example). If the recent eBook edition isn’t available in the US, I guess the author fits the bill (*cough* — John Sladek).
Note: If you are thinking about doing some checking before you make your choice (see guidelines) I recommend using isfdb.org as it has mostly up to date publication histories for all but self-published authors.
My vote: Miriam Allen deFord (active from — SF Encyclopedia LINK
Published collections: Xenogenesis (1969) and Elsewhere, Elsewhen, Elsehow (1971)
Reason: Miriam Allen deFord (1888-1975) was one of the major voices in SF magazines from 1946 – 1978. She never made the transition to novels and thus might have lost some readership as a result. The stories in Xenogenesis (1969) shows an often radical voice right from her first story in 1946. Although they might not be as polished as some of her more Continue reading A question for my fellow SF fans: Which SF writer without a single author collection published within the last 10 years should receive a reprint?
(William Hofmann’s cover for the 1964 edition)
4/5 (collated rating: Good)
Filth. Decay. Mud. Transmutation. Brian W. Aldiss’ SF is filled with such images: Men—with limbs removed—who are slowly (and artificially) transmuted into fish, writhe around in the mud of their tanks grasping at the last shards of their humanity; A powerful matriarch lords over a planet where her pets transform at will; A tall tale about a planet filled with strange life and a human hero who cannot get over the fact that everything smells like garbage…. Aldiss’ novel The Dark Light-Years (1964), despite its poor delivery, is the best example of these themes—humans encounter sentient aliens who spend their days copulating, laying around, and eating in their own fifth. And they are happy with their lot.
Starswarm (1964) is comprised of three novelettes and five short stories with conjoining explanatory material that links the previously published short fiction into a cohesive collection. The modus operandi of such a conjoining concerns the “Theory of Multigrade Superannuation” where “the universe is similar to the cosmic clock; the civilizations of man are not mere cogs but infinitely smaller clocks, ticking in their own right” (7). Thus, the inhabited solar systems of Starswarm—our galaxy—will exhibit all the characteristics through which a civilization can Continue reading Book Review: Starswarm, Brian W. Aldiss (1964)
(W. Thut’s cover for the 1970 edition)
So the Amio were deficient, from the very beginning, and were born weaklings, untested, and had gone their own solitary way. […] [Bettyann] would reinfuse in them the vitality that their own development had ultimately denied them and contravene the defeat that was foreshadowed in the limited dreams and ambitions of their father’s father’s father’s father’s father, backward to the time when myth told little that one might truly believe, except that the Amio were always, from the beginning, one” (78).
Since the beginning of the year MPorcius, who presides over MPorcius’ Fiction Log, has reviewed a handful of Kris Neville’s short stories (here and here). Because the name was on my mind and I had not read any of his work in the past, I eagerly picked up a copy of his fix-up novel Bettyann (1970)— which contains contains two previously published stories “Bettyann” (1951), which appeared in New Tales of Space and Time, and “Ouverture” (1954) which appeared in 9 Tales of Space and Time, both edited by Raymond J. Healey. The novel is hard to find as it was only published by Tower Books.
Neville is praised by Barry N. Malzberg as an author, if he had not abandoned the field for the sciences, who could have been among the “ten most honored science fiction writers of his generation” (Malzburg’s intro to Neville’s “Ballenger’s People” in the 1979 Doubleday collection Neglected Visions). Continue reading Book Review: Bettyann, Kris Neville (1970)
Kate Wilhelm is most widely known for her Hugo- and Locus-winning, Nebula-nominated, fix-up novel masterpiece Where Late The Sweet Birds Sang (1976). However, this linked series of novellas (her favorite form) was already the product of a long and fruitful career starting with somewhat standard pulp in the late 1950s. By the late 1960s and early 1970s her SF took on psychologically heavy and often devastatingly effective themes with great success: for example, in 1972 she was nominated for an astounding four Nebulas (winning none of them).
Most of her critical success focused on shorter forms which might be the reason why other than Where Late the Sweet Birds Sang (1976) little of her work has not remained firmly entrenched in the SF canon. Which is a crying shame as she is easily one of the most regularly brilliant writers I have encountered.
Thus I have rounded up my normal suspects from across the vintage SF blog sphere for my second guest post series! The first covered the work of Michael Bishop. As always, I have no idea whether they like her work or not but the purpose is to expose my readers to the range of her amazing visions. I will place links to their twitter accounts (if they have them) and Continue reading Update: Kate Wilhelm Guest Post Series Announcement
(John Schoenherr’s cover for the 1964 edition of Alien Worlds (1964), ed. Roger Elwood)
Michael Whelan’s cover for the 1979 Dutch edition of Greybeard (1964) by Brian W. Aldiss appeared in a collection of SF art Space Wars, Worlds & Weapons (1977). I remember encountering the collection at a used bookstore, perhaps in Philadelphia when I went to visit my grandparents… It terrified me for years. The bizarre metal construct looming over the destroyed world—and most of all, the strange tentacled hands…
…hence, today’s themed art post!
Tentacles and Other Strange Appendages.
I have a confession: I am warming to the art of Charles Moll—1974 edition of New Dimensions 3 ed. Continue reading Adventures in Science Fiction Art: Tentacles and Other Strange Appendages
(John Richards’ cover for the 1961 edition)
3/5 (collated rating: Average)
I have a confession to make. I have never read Richard Matheson’s I Am Legend (1954). I do not like vampires. I do not like any movies or TV shows with vampires. Thus, as is my wont when trying a new author, I procured a short story collection to experience a range Continue reading Book Review: Third From the Sun, Richard Matheson (1955)