Tag Archives: 1940s

Guest Post: From Pulp to New Wave: “Space Episode” (1941), Leslie Perri, “Recruiting Officer” (1955), Alice Eleanor Jones, “When I Was Miss Dow” (1966), Sonya Dorman

Ian Sales (twitter) over at It Doesn’t Have to Be Right…—BFSA-winning SF author for Adrift on the Sea of Rains (2012), reviewer, and curator of the indispensable review-collating site SF Mistressworks—provides the seventh guest post in my SF Short Stories by Women Writers pre-1969 series (original announcement and list of earlier posts).

Head over to his blog posthaste.  Although most of his more recent SF reviews are published in Interzone, his website offers older reviews and many useful resources: a list of the 100 Best SF short stories by women authors; SF Mistressworks Best Novels List; and SF women-only anthologies.

As is his wont, Ian selected two lesser-known pulp SF works by women authors—Leslie Perri and Alice Eleanor Jones—who did not have lengthy SF writing careers. His third selected story is by the masterful Sonya Dorman from one of my favorite periods of SF—the New Wave.

Thank you for contributing!

Enjoy!

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(“Space Episode” first appeared in Future Combined with Science Fiction, December 1941, cover: Hannes Bok)

Review of “Space Episode” (1941) by Leslie Perri, “Recruiting Officer” (1955) by Alice Eleanor Jones, “When I Was Miss Dow” (1966) by Sonya Dorman

By Ian Sales

“Space Episode”, Leslie Perri (1941)

Leslie Perri was the pen-name of Doris Marie Claire Baumgardt, a member of the Futurians, who was married, at different times, to two sf writers, Frederik Pohl and Continue reading Guest Post: From Pulp to New Wave: “Space Episode” (1941), Leslie Perri, “Recruiting Officer” (1955), Alice Eleanor Jones, “When I Was Miss Dow” (1966), Sonya Dorman

Guest Post: Cyborgs and Intergalactic Freight Transport: “No Woman Born” (1944), C.L. Moore and “Lady in the Tower” (1959), Anne McCaffrey

The scholarly and widely published Kate Macdonald (twitter), a Professor of English Literature and currently a Visiting Fellow at the University of Reading, provides the fifth guest post in my SF Short Stories by Women Writers pre-1969 series (original announcement and list of earlier posts). I recommend browsing her eponymous blog—she recently interviewed the SF author Elizabeth Moon on her collaborations with Anne MacCaffrey and reviews literature and SF (including Iraq + 100. Stories from a Century After the Invasion (2013), ed. Hassan Blasim and the famous post-apocalyptical novel The Long Tomorrow (1955) by Leigh Brackett).

Her post focuses on two of the best known SF women authors from the pre-1969 era: C.L. Moore and Anne McCaffrey.

Cyborgs! Intergalactic Freight Spaceships!

Find copies!

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(“No Woman Born” first appeared in Astounding Science Fiction, December 1944, cover: William Timmins)

Review of “No Woman Born” (1944) by C.L. Moore and “Lady in the Tower” (1959) by Anne McCaffrey

By Kate Macdonald

I teach sf to university students, and knew from the critical literature about gender in sf that sometime in the 1940s a writer called C. L. Moore published a landmark story about the first female cyborg. I tracked down a copy of ‘No Continue reading Guest Post: Cyborgs and Intergalactic Freight Transport: “No Woman Born” (1944), C.L. Moore and “Lady in the Tower” (1959), Anne McCaffrey

Guest Post: Three SF Short Stories Pre-1969 by Women Authors: “Vintage Season” (1946), C.L. Moore and Henry Kuttner, “The Snowball Effect” (1952), Katherine Maclean, “The Painter of Dead Women” (1910), Edna Underwood

The erudite and prolific Jesse provides the fourth guest post in my SF Short Stories by Women Writers pre-1969 series (original announcement and list of earlier posts). I recommend investigating the archives over at his blog Speculiction, which covers both vintage and new SF ranging from Aliya Whiteley’s The Beauty (2014) to John Brunner’s The Jagged Orbit (1969).

His post focuses on three stories from different authors including one of the best known from the pre-1969 era: the writing pair of C.L. Moore and Henry Kuttner, Katherine MacLean, and Edna Underwood. As no discussion of women in pre-1969 SF would be complete without C.L. Moore, and it is often impossible to discern which stories she wrote individually and which she wrote with her husband Henry Kuttner, I gave the go ahead for Jesse to review one of their best known co-written short stories.

I hope you’ll track them down!

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(Katherine Maclean’s “The Snowball Effect” first appeared in the September 1952 issue of Galaxy, cover: Jack Coggins)

Review of “Vintage Season” (1945) by C.L. Moore and Henry Kuttner, “The Snowball Effect” (1952) by Katherine MacLean, and “The Painter of Dead Women” (1910) by Edna Underwood

By Jesse

Gender in science fiction is surely one of the top three subjects in online genre discussion these days.  The objectification of women, the roles of women in story, the lack of award recognition for female writers, the negative Continue reading Guest Post: Three SF Short Stories Pre-1969 by Women Authors: “Vintage Season” (1946), C.L. Moore and Henry Kuttner, “The Snowball Effect” (1952), Katherine Maclean, “The Painter of Dead Women” (1910), Edna Underwood

Guest Post Series Announcement: SF Short Stories by Women Writers pre-1969

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(Richard Powers’ cover for the 1963 edition of A Handful of Time (1963), Rosel George Brown)

The time has come for a new Guest Post series on SF Short Stories by Women Writers pre-1969. My reasons are two-fold: 1) to showcase a deserving and fascinating topic in line with my goal to feature lesser known SF from a range of viewpoints and traditions 2) to feature posts from reviewers in the vintage SF blogsphere and beyond (in any combination of the following) that attempt to move past standard lists and grand narratives of canon, tackle fiction from evidence-based analytical and academic perspectives, or are simply darn good writers whose sites I cannot help but return to compulsively.

Why pre-1969? Although most endpoints are arbitrary in nature, 1969 saw the publication of Ursula Le Guin’s magisterial The Left Hand of Darkness. Considered a watershed moment in the history of women writers as it was the first to win a Hugo Award for best novel, Le Guin among many others were part of a rich (albeit oft suppressed and ignored) genealogy of women SF authors reaching back to Mary Shelly. My focus on short stories will allow exploration of many authors who did not write novels, whose novels overshadow their short fiction, and those whose rich body of early work focused predominately on the short form.

Thus I have rounded up my normal suspects along with new voices. The first guest post series covered the work of Michael Bishop and the second Kate Wilhelm.

Topics in the queue: Robot therapists, French and Soviet SF, a range of speculative fictions from the 19th Continue reading Guest Post Series Announcement: SF Short Stories by Women Writers pre-1969

Updates: Recent Science Fiction Acquisitions No. CXLIII (Two themed anthologies: Election Day 2084 and TV: 2000 + Harrison + Gary)

Two themed anthologies—one in “honor” of the election [*cough* I mean, well, I won’t go all political] year cycle…  Another on one of my favorite SF themes, television of the future!

That said, both Asimov edited collections (from the 80s but with stories from only earlier decades) have a serious fault: out of the combined 35 stories there is not a single story by a woman author.  I’ve read a vast number of 60s/70s collections which do not fall into this trap…. Orbit 1 (1966) almost manages gender parity!  I can think of numerous stories by women authors that fit both themes.  For example, Kit Reed’s wonderful “At Central” (1967) fits the TV anthology!

A hard to find for cheap early M. John Harrison novel…. Unfortunately I only found a much uglier edition that the one I show below as the rest were out of my price range….

And, a complete shot in the dark—a SF novel by the mainstream French/Lithuanian novelist/screenwriter Romain Gary, the author of White Dog (1970)..

As always, I’d love to hear your thoughts + comments.

1. The Committed Men, M. John Harrison (1971)

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(Chris Yates’ cover for the 1971 edition) Continue reading Updates: Recent Science Fiction Acquisitions No. CXLIII (Two themed anthologies: Election Day 2084 and TV: 2000 + Harrison + Gary)

Book Review: Three Worlds of Futurity, Margaret St. Clair (1964)

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(Jack Gaughan’s cover for the 1964 edition)

3/5 (collated rating: Average)

Margaret St. Clair (1911-1995) was a mainstay of the major pulp magazines and maintained a prolific career from 1946 to the late 60s (between the 70s and early 80s she  produced only one novel and a handful of stories).  Previously, I found myself disenchanted with her work as I struggled through the Wicca-inspired ramblings of Sign of the Labrys (1963).  However, I thought I would give her short fiction a try and snagged a copy of the 1964 Ace Double #M-105 that contained her collection Three Worlds of Futurity (1964) and her best known novel Message from the Eocene (1964) (which I might read sometime in the future).

Three Worlds of Futurity contains five stories from her most prolific period—the late 40s-early 60s.  Although the majority do not rise above their fellow pulp ilk, “The Rages” (variant title “The Rations of Tantalus” 1954, revised 1964) shows a measured and incisive feminist inspired vision and the unusual subject matter of “Roberta” (1962) suggests St. Clair’s willingness to tackle controversial subjects.  Most of the stories contain evocative imagery although the delivery rarely transfixes.  Also, although most of the main characters in St. Clair’s stories are men, women scientists and pilots (etc) populate the pages.  I suspect Continue reading Book Review: Three Worlds of Futurity, Margaret St. Clair (1964)

Book Review: Out of Bounds, Judith Merril (1960)

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(Art Sussman’s cover for the 1960 edition)

3.25/5 (collated rating: Vaguely Good)

I have long been a fan of both Judith Merril’s fiction and edited volumes.   The eponymous novella in the collection Daughters of Earth (1968) is one of more delightful visions from the 1950s I have encountered. Merril reframes biblical patrilineal genealogy as matrilineal–i.e. humankind’s conquest of space is traced via the female descendants of an august progenitor.  The story is brilliant in part due to a remarkable metafictional twist, the story itself is compiled from historical documents to serve as an instructional template for future generations of women.  Despite substantial editorial control that forced Merril to include a rather hokey plot on two hokey planets, the story remains memorable for the well crafted feminist Continue reading Book Review: Out of Bounds, Judith Merril (1960)