A few more books from Carl V. Anderson‘s gift + two acquisitions of my own. Including my first Spider Robinson novel, an unknown post-apocalyptical quantity via Howard Beck, and more pulp by Brian N. Ball—not going to lie, Singularity Station (1973) was fun!
I now own a nearly complete Barry N. Malzberg collection of his SF solo works (i.e. no co-written novels with Bill Pronzini). What I am missing: his first two novels which are more speculative rather than SF, Oracle of a Thousand Hands (1968), Screen (1968), his SF novel Scop (1976), his movie novelization Phase IV (1973) which I have held off buying despite seeing it for cheap in used stores, and his non-SF novel Underlay (1974). I have all his collections of short fiction pre-1994 other than Final War and Other Fantasies (1969), The Best of Barry N. Malzberg (1976), and Down Here in Dream Quarter (1976).
Thus, I own a grand total of 28 Malzberg novels and collections!
Another varied selection of recent acquisitions—the majority are gifts from Carl V. Anderson at Stainless Steel Droppings. Thanks so much! A signed edition of Hal Clement’s Close to Critical (1964) is coming your way!
I love Sheckley. I’ve never read Richard Matheson’s short fiction. Terry Carr’s short fiction is supposedly rather good (he’s primarily known as an editor of course). And Avram Davidson is still an unknown quantity—I do adore the Leo and Diane Dillon cover.
It has been so long since I have read Asimov… Currents of Space (1952)—or Bradbury’s 1953 masterpiece Fahrenheit 451)—was the very first SF novel I ever read. And I did not enjoy it. In my later teens I read quite a few of Asimov’s works including the average The Gods Themselves (1972) in a Hugo-winning novel marathon that really got me into SF. He has never blown me away. But, I have a soft spot for the robot stories!
Gotlieb’s novel has simply the worst back cover blurb ever. Suspicious.
I do like Philip José Farmer stories although I wish the inside blurb would not give away the entire plot of two of the seven stories. I have never read the original “Riverworld” (1966) short story—perhaps it’s much better than the later novel version.
1. Eight Stories from The Rest of the Robots, Isaac Asimov (1966)
A very odd selection today… Some Christmas gift card holdovers and one volume I purchased online. Including Edgar Pangborn’s most famous novel, a bizarre anthology of future artistic visions (with stories by Ellison, Clarke, Effinger, Zelazny, Dickson, Kornbluth, et al.), a collection of Lloyd Biggle, Jr.’s SF stories on music, and a most likely horrible pulp slave planet rebellion type novel by Laurence M. Janifer.
I was kindly asked by Andrea over at The Little Red Reviewer to submit an article for SF Signal’s Mind Meld feature (she is also one of their editors). Along with a cross section of other bloggers/authors and the like, I discussed the range and variety an author’s less famous backlist might have and how it can be a minefield of unrealized potential and financial obligations (think of what John Brunner was writing in the same year as Stand on Zanzibar!). I wrote about Barry N. Malzberg [original link here]—I am the last contributor.
For those who do not visit SF Signal I have decided to put it on my site as well.
I would love to hear your thoughts.
Backlists can be unnerving places. Like the vibrations of residual sounds that gather across the urban landscape in Ballard’s “The Sound-Sweep” (1960), the lists themselves resonate both discordant and dulcet—a deluge of aborted passions, financial desires, experimental tendencies not yet crystalline. Although Clifford D. Simak might produce a Cosmic Engineers (1950), he also invoked a most extraordinary allegorical worldscape in Why Call Them Back from Heaven? (1967) where the promise of immortality (undelivered) causes irrevocable transformations—the living live through life without living waiting for a resurrection where they can finally live. Robert Silverberg might shift entirely, as if on whim, from old-fashioned SF adventure where young Heinlein-esque space boys look for those “cool artifacts that do great things” in Across a Billion Years (1969) to The Man in the Maze (1969), a restless and uneasy rumination on pariahism and filled with delusions of self-martyrdom and all those other uncomfortable emotions we try so Continue reading Update: My short article on the topic of “All About the Backlist” for SF Signal’s Mind Meld→
A nice batch of used book store finds. Including the best of surprises i.e. when a clearance $1 SF novel by a rather famous author turns out to be signed! I only realized it when I sat down to type up this post.