M. John Harrison’s collection The Machine in Shaft Tent (1975) contains one of the more humorous inside flap advertisements I have encountered:
Don’t worry, I certainly intend to “see tomorrow today!” I’ll be disappointed if I can’t!
The others are a strange blend… From Edmund Cooper’s apparently anti-Free Love/60s culture Kronk (1970) to a delightful collection of another one of my favorite years of SF.
Also, I seldom accept advanced reader copies due to my limited time/limited interest in newer SF/and incredible mental block when it comes to, how shall I say it, outside forces guiding my central hobby which tends to take me in a variety of directions solely on whim. But, Gollancz was nice enough to send me their new omnibus collection of 1970s Michael G. Coney novels (amazon link: US, UK). Not only did I enjoy Hello Summer, Goodbye (1975) but I recently reviewed and loved Coney’s bizarre and original Friends Come in Boxes (1973). With two out of two successes it’s hardly like I wouldn’t buy his work on sight anyway (another one of my requirements when accepting AVCs)…. I will review two or three of the novels in the omnibus one at a time over the next few months.
1. The Machine in Shaft Ten, M. John Harrison (1975)
(Chris Foss’ cover for the 1975 edition) Continue reading Updates: Recent Acquisitions No. CXXV (M. John Harrison + Coney 3x + Anthology + Cooper)
Kate Wilhelm is most widely known for her Hugo- and Locus-winning, Nebula-nominated, fix-up novel masterpiece Where Late The Sweet Birds Sang (1976). However, this linked series of novellas (her favorite form) was already the product of a long and fruitful career starting with somewhat standard pulp in the late 1950s. By the late 1960s and early 1970s her SF took on psychologically heavy and often devastatingly effective themes with great success: for example, in 1972 she was nominated for an astounding four Nebulas (winning none of them).
Most of her critical success focused on shorter forms which might be the reason why other than Where Late the Sweet Birds Sang (1976) little of her work has not remained firmly entrenched in the SF canon. Which is a crying shame as she is easily one of the most regularly brilliant writers I have encountered.
Thus I have rounded up my normal suspects from across the vintage SF blog sphere for my second guest post series! The first covered the work of Michael Bishop. As always, I have no idea whether they like her work or not but the purpose is to expose my readers to the range of her amazing visions. I will place links to their twitter accounts (if they have them) and Continue reading Update: Kate Wilhelm Guest Post Series Announcement
Roger Zelazny’s most radical (according to some critics) novel…
A fun Ace Double with a rather disturbing face imprisoned in a skull cover by Kelly Freas….
More Malzberg (one can never have enough)…
And another anthology from the single best year of SF — 1972! (my opinion of course).
1. Tonight We Steal The Stars / The Wagered World, John Jakes / Laurence M. Janifer and S. J. Treibich (1969) (Ace Double)
(Kelly Freas’ cover for the 1969 edition) Continue reading Updates: Recent Science Fiction Acquisitions No. CXXIV (Jakes + Anthology + Malzberg + Zelazny)
A few more books from Carl V. Anderson‘s gift + two acquisitions of my own. Including my first Spider Robinson novel, an unknown post-apocalyptical quantity via Howard Beck, and more pulp by Brian N. Ball—not going to lie, Singularity Station (1973) was fun!
I now own a nearly complete Barry N. Malzberg collection of his SF solo works (i.e. no co-written novels with Bill Pronzini). What I am missing: his first two novels which are more speculative rather than SF, Oracle of a Thousand Hands (1968), Screen (1968), his SF novel Scop (1976), his movie novelization Phase IV (1973) which I have held off buying despite seeing it for cheap in used stores, and his non-SF novel Underlay (1974). I have all his collections of short fiction pre-1994 other than Final War and Other Fantasies (1969), The Best of Barry N. Malzberg (1976), and Down Here in Dream Quarter (1976).
Thus, I own a grand total of 28 Malzberg novels and collections!
1. Overlay, Barry N. Malzberg (1972)
(Ray Feibush’s cover for the 1975 edition) Continue reading Updates: Recent Science Fiction Acquisitions No. CXXVIII (Malzberg + Robinson + Berk + Ball)
Another varied selection of recent acquisitions—the majority are gifts from Carl V. Anderson at Stainless Steel Droppings. Thanks so much! A signed edition of Hal Clement’s Close to Critical (1964) is coming your way!
I love Sheckley. I’ve never read Richard Matheson’s short fiction. Terry Carr’s short fiction is supposedly rather good (he’s primarily known as an editor of course). And Avram Davidson is still an unknown quantity—I do adore the Leo and Diane Dillon cover.
1. Third From the Sun, Richard Matheson (1955)
(Gene Szafran’s horrid cover for the 1970 edition) Continue reading Updates: Recent Science Fiction Acquisitions No. CXXVII (Matheson + Carr + Davidson + Sheckley)
It has been so long since I have read Asimov… Currents of Space (1952)—or Bradbury’s 1953 masterpiece Fahrenheit 451)—was the very first SF novel I ever read. And I did not enjoy it. In my later teens I read quite a few of Asimov’s works including the average The Gods Themselves (1972) in a Hugo-winning novel marathon that really got me into SF. He has never blown me away. But, I have a soft spot for the robot stories!
Gotlieb’s novel has simply the worst back cover blurb ever. Suspicious.
I do like Philip José Farmer stories although I wish the inside blurb would not give away the entire plot of two of the seven stories. I have never read the original “Riverworld” (1966) short story—perhaps it’s much better than the later novel version.
1. Eight Stories from The Rest of the Robots, Isaac Asimov (1966)
(Paul Lehr’s cover for the 1969 edition) Continue reading Updates: Recent Science Fiction Acquisitions No. CXXVI (Asimov + Farmer + Gotlieb + Morressy)
A very odd selection today… Some Christmas gift card holdovers and one volume I purchased online. Including Edgar Pangborn’s most famous novel, a bizarre anthology of future artistic visions (with stories by Ellison, Clarke, Effinger, Zelazny, Dickson, Kornbluth, et al.), a collection of Lloyd Biggle, Jr.’s SF stories on music, and a most likely horrible pulp slave planet rebellion type novel by Laurence M. Janifer.
1. Davy, Edgar Pangborn (1964)
(Robert Foster’s cover for the 1965 edition) Continue reading Updates: Recent Science Fiction Acquisitions No. CXXV (Pangborn + Janifer + Anthology + Biggle, Jr.)