Category Archives: Science Fiction cover art

Adventures in Science Fiction Cover Art: The Artists Behind the 1st ed. Cover of John Brunner’s The Sheep Look Up (1972)

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(Irving Freeman and Mark Rubin’s cover for the 1st ed. of The Sheep Look Up (1972), John Brunner)

John Brunner’s The Sheep Look Up (1972) would easily make my top fifteen SF novels of the 1970s—it’s far better than anything else he produced in the decade, although some might argue that The Shockwave Rider (1975) comes close.  Other than the novel’s unforgettable power, the first edition cover by Irving Freeman and Mark Rubio for Harper & Row remains seared in my memory.  The  1973 Ballantine first edition paperback also used the same art.

The harrowing nature of the story, decaying bodies/pollution, matches perfectly the ram-horned figures on human torsos, gas masks upturned… The distance to the horizon line, rendered via black horizontal lines, results in Continue reading Adventures in Science Fiction Cover Art: The Artists Behind the 1st ed. Cover of John Brunner’s The Sheep Look Up (1972)

Adventures in Science Fiction Cover Art: A Handful of SF Inspired Album Covers

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(Jean-Auguste Ringard’s cover for the 1979 album Trip in the Center of Head by Space Art)

Due to a continuous and growing state of panic as election day (November 8th) approaches in the US, I have postponed completing my review of M. John Harrison’s The Pastel City (1971) (the first volume of the Viriconium sequence) in order to do something fun and lighthearted. Harrison’s entropic visions of decay and despair are not sitting well as the xenophobic orange monster looms spewing sexism and unbridled hate…. My The Pastel City review will appear after the election.

Instead, I want all my wonderful readers to pick their favorite SF-esque album cover from any era and Continue reading Adventures in Science Fiction Cover Art: A Handful of SF Inspired Album Covers

Adventures in Science Fiction Cover Art: Art mysteries! Help Identify the SF Cover Artist (Novels by Clarke + Silverberg + Wilhelm, et al.)

Below are a group of uncredited covers whose artists I have not been able to firmly identify.  Some were brought to my attention by Adam who runs a collectible SF store (link).   I’d love to hear your input — make sure to read the guidelines.

Guidelines: If you think a cover is the work of a particular artist, please please please provide some evidence for your claim: for example, a comparison cover, a citation from a book/resource, or, perhaps a link to a canvas or artist webpage.  This makes identifying the artist more authoritative than a vague claim and readers can follow along more easily.  If you think you’ve identified the author, I recommend peeking at their other credited covers at The Internet Speculative Fiction Database.

Pocket Books was notoriously bad at citing their artists.  If we are able to identify a few of those below (Margaret and I and Journey), we might be able to nail down tens more covers missing citations in their catalogue.

The three covers below for Fred Saberhagen’s Empire in the East sequence are clearly by the same artist—the style seems so familiar!  And, the 1974 Signet edition of Cage a Man (1973), F. M. Busby is credited as FMA only.  I wonder if it’s possible to identify who FMA was.

In some cases, I have a pretty good idea who the artist might be but don’t have enough evidence….  I am convinced that Stanislaw Fernandes created the 1974 Signet edition of New Dimensions IV (1974) , ed. Robert Silverberg.  Although, it would be very early in his career and love to have some firm evidence.

I look forward to your ideas!

EDIT: I’ve gone ahead and indicated which ones have been solved by inserting the artist into the citation.

For more Adventures in SF Cover Art consult the INDEX

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(Bob Haberfield’s cover for the 1971 Tandem edition of The Man in the Maze (1968), Robert Silverberg) Continue reading Adventures in Science Fiction Cover Art: Art mysteries! Help Identify the SF Cover Artist (Novels by Clarke + Silverberg + Wilhelm, et al.)

Adventures in Science Fiction Cover Art: The Cryptic Diagrams and Collaged Heads of Atelier Heinrichs

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(Cover for the 1964 edition of Piano Player (1952), Kurt Vonnegut, Jr.)

My whirlwind tour of the surreal covers of non-English language presses and artists continues!  We ogled the inclines and declines of The Futuristic Cities of Lima de Freitas (Portugal, Livros do Brasil under the Argonauta imprint); awoke our inner desires to create minimalistic stamps and prints with the twelve-month sequence of Mariella Anderlini’s covers for Galassia (Italy); and were transported to Anderlini’s later landscapes of stylized mountains and edifices for Libra Editrice (Italy).  I have many ideas for our future explorations…

…but first a range of SF covers by Atelier Heinrichs, Munich for Heyne Bücher (Germany).  I cannot find information online for Atelier Heinrichs (albeit my German reading comprehension is average at best and I do not know the standard German SF resources).  It is definitely not a Continue reading Adventures in Science Fiction Cover Art: The Cryptic Diagrams and Collaged Heads of Atelier Heinrichs

Adventures in Science Fiction Cover Art: The Futuristic Cities of Lima de Freitas, Part I

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(Cover for the 1967 edition of vol. 1 of The Moon is a Harsh Mistress (1965), Robert A. Heinlein)

The Portuguese painter and illustrator Lima de Freitas (1927-1998) created a vast number of covers for the Portuguese press Livros do Brasil.  For more on the range of art he produced in his career consult his wikipedia page [here].

A while back I reviewed Mordecai Roshwald’s Level 7 (1959) and discovered de Freitas’ amazing cover (below).  More than any of the US editions, it evokes the claustrophobic tone of the novel (and even some of the surreal elements).

As the son of two architects, architecturally inclined SF covers always fascinate. Thus, as an introduction to his art (if you do not know it already) I have collected a handful of his cityscapes.  They are surreal masterpieces.  Lima de Freitas’ covers emphasize the city as a canvas, the textures of human Continue reading Adventures in Science Fiction Cover Art: The Futuristic Cities of Lima de Freitas, Part I

Adventures in Science Fiction Cover Art: Interview with Emanuel Schongut and a selection of his 1970s SF covers

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(Cover for the 1972 edition of Recalled to Life (1958), Robert Silverberg)

“I think the 60s and 70s were probably one the most creatively interesting periods for everyone. Art, music, film all pushing the envelope. New York City was affordable and fun, fertile in its influences. Book cover art, book jacket art was fun concept art, a bit more free than other illustration work” — Emanuel Schongut

Back on May 19th, I showcased Emanuel Schongut’s 1960s SF covers [link].  His nephew found my post and put me in touch.   Over the last few weeks I have had a wonderful discussion via email about his time creating covers for Doubleday under the direction of Margo Herr (art director + cover illustrator/artist).  Emanuel graciously agreed to a short interview.  He gives a behind-the-scenes look at SF cover illustrating in the 60s/70s, reflects on his own career, and discusses his artistic process.  If you have any questions, I will be more than happy to relay them to the artist.

Also included after the interview is a delightful selection of his 1970s covers–a double post!  I also recommend visiting his online portfolio for his more recent non-SF work.

As always, thoughts and comments are welcome.

Enjoy!

Note: I have made only minor edits for clarity and inserted publication dates where necessary.

Interview

Thank you so much for agreeing to do an interview on your 60s/70s science fiction covers.  Over more than two decades  of producing SF covers for Doubleday, you put together an impressive body of work. They graced novels by some of the most esteemed authors of the genre, including Kate Wilhelm, John Brunner, Clifford D. Simak, Robert Silverberg, Keith Laumer, among others.2) First, can you say a little about yourself.

Thank you for your interest Joachim.

Continue reading Adventures in Science Fiction Cover Art: Interview with Emanuel Schongut and a selection of his 1970s SF covers

Adventures in Science Fiction Cover Art: Women SF Illustrators of the 1960s/70s, Part III: The Galassia Covers of Allison, A.K.A. Mariella Anderlini

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(Cover for Galassia #97, January 1969)

Two of my recent Adventures in Science Fiction Cover Art posts fit (retroactively) into a linked post series on women SF illustrators from the 1960s/70s—which includes The Diagrammatic Minimalism of Ann Jonas and Donald Crews and Haunting Landscapes and Cityscapes: The 1970s Italian SF Art of Allison A.K.A. Mariella Anderlini.  This post is a continuation of the latter and explores the twelve covers Alison created for Galassia in 1969 that showcase her vivid creativity.

Galassia was one of the primary Italian SF publications for most of the 1960s (consult Michael Ashley’s Transformations: The Story of the Science-fiction Magazines from 1950-1970, 311) and introduced translations of English-language Continue reading Adventures in Science Fiction Cover Art: Women SF Illustrators of the 1960s/70s, Part III: The Galassia Covers of Allison, A.K.A. Mariella Anderlini