(Cover for the 1972 edition of Recalled to Life (1958), Robert Silverberg)
“I think the 60s and 70s were probably one the most creatively interesting periods for everyone. Art, music, film all pushing the envelope. New York City was affordable and fun, fertile in its influences. Book cover art, book jacket art was fun concept art, a bit more free than other illustration work” — Emanuel Schongut
Back on May 19th, I showcased Emanuel Schongut’s 1960s SF covers [link]. His nephew found my post and put me in touch. Over the last few weeks I have had a wonderful discussion via email about his time creating covers for Doubleday under the direction of Margo Herr (art director + cover illustrator/artist). Emanuel graciously agreed to a short interview. He gives a behind-the-scenes look at SF cover illustrating in the 60s/70s, reflects on his own career, and discusses his artistic process. If you have any questions, I will be more than happy to relay them to the artist.
Also included after the interview is a delightful selection of his 1970s covers–a double post! I also recommend visiting his online portfolio for his more recent non-SF work.
As always, thoughts and comments are welcome.
Note: I have made only minor edits for clarity and inserted publication dates where necessary.
Thank you so much for agreeing to do an interview on your 60s/70s science fiction covers. Over more than two decades of producing SF covers for Doubleday, you put together an impressive body of work. They graced novels by some of the most esteemed authors of the genre, including Kate Wilhelm, John Brunner, Clifford D. Simak, Robert Silverberg, Keith Laumer, among others.2) First, can you say a little about yourself.
Thank you for your interest Joachim.
Continue reading Adventures in Science Fiction Cover Art: Interview with Emanuel Schongut and a selection of his 1970s SF covers
(Cover for Galassia #97, January 1969)
Two of my recent Adventures in Science Fiction Cover Art posts fit (retroactively) into a linked post series on women SF illustrators from the 1960s/70s—which includes The Diagrammatic Minimalism of Ann Jonas and Donald Crews and Haunting Landscapes and Cityscapes: The 1970s Italian SF Art of Allison A.K.A. Mariella Anderlini. This post is a continuation of the latter and explores the twelve covers Alison created for Galassia in 1969 that showcase her vivid creativity.
Galassia was one of the primary Italian SF publications for most of the 1960s (consult Michael Ashley’s Transformations: The Story of the Science-fiction Magazines from 1950-1970, 311) and introduced translations of English-language Continue reading Adventures in Science Fiction Cover Art: Women SF Illustrators of the 1960s/70s, Part III: The Galassia Covers of Allison, A.K.A. Mariella Anderlini
(Cover for the 1973 edition of The City in the Sea (1951), Wilson Tucker)
Mariella Anderlini, under the pseudonym Allison, produced a vast number of surreal and masterful SF covers (between 1969-1988) primarily for the Italian SF publisher Libra Editrice. Apparently, she went under the pseudonym to avoid damaging her professional painting career. She was the wife of Ugo Malaguti, editor and author, who founded Libra Editrice and edited Galassia.
As I celebrate the birthdays of a range of SF authors/illustrators/editors from multiple language traditions on twitter (@SFRuminations), I came across Allison’s work while researching her husband’s untranslated SF output. However, only through the diligent research of @FomahlautStar, whose Italian is far better than mine, were we able to come across her real name.
@FomahlautStar sent me two Italian articles for more details (they are scanty) about her life and SF art: “Libra Editrice: ascess e caduta di un impero” and “Nova SF.”
And her art is absolutely gorgeous…. Her work enters the pantheon of my favorite SF cover Continue reading Adventures in Science Fiction Art: Haunting Landscapes and Cityscapes: The 1970s Italian SF Art of Allison A.K.A. Mariella Anderlini
(Cover for the 1967 edition of Extrapolasis (1967), Alexander Malec)
Between 1965 and 1971, the husband-and-wife team Donald Crews and Ann Jonas created a handful of fascinating minimalistic and diagrammatic covers for Doubleday. I should note that their cover for the 1966 edition of Nebula Award Stories 1965 (1966), ed. Damon Knight was reused in different colors for multiple Nebula anthologies (1967, 1971, 1971). Thus, their new covers for Doubleday appeared only (to the best of my knowledge) in a two-year span from 1965 and 1967.
A while back I explored the idea of the diagram (maps, brain/skull size, molecules, orbits) in SF art. Donald and Ann Crews take the diagram in more minimalistic Continue reading Adventures in Science Fiction Cover Art: The Diagrammatic Minimalism of Donald Crews and Ann Jonas
(Cover for the 1968 edition of Last Door to Aiya (1968), ed. Mirra Ginsburg)
My pseudo-series exploring the more esoteric reaches of SF art continues. Previous posts include The Brothers Quay and SF Covers, The 1960s Covers of Emanuel Schongut, and A Spotlight on the SF Covers of David McCall Johnston. You all read my site because of my more esoteric dalliances, right? Hah.
H. Lawrence Hoffman (b. 1911-1977) [wikipedia article] illustrated a vast range of covers for the major presses such as Popular Library—his mystery novel covers, including those by Dashiell Hammett, are particularly evocative [here is a substantial gallery displaying the range of his non-SF covers].
His use of coral and figures inspired by Central American Art (see his cover for The Gate of Worlds (1967), Robert Silverberg) demonstrate his more experimental moments. His coral covers are stunning— Last Door to Aiya (1968), ed. Mirra Ginsburg and A Century of Science Fiction (1962), ed. Damon Knight. And the 1973 edition of Alien Art by Gordon R. Dickson scratches a strange artistic itch…
What are your Continue reading Adventures in Science Fiction Art: Cosmic Coral and Eye Trees: The SF Art of H. Lawrence Hoffman
(Cover by the Brothers Quay for the 1977 edition of A Scanner Darkly (1977), Philip K. Dick)
While looking through the cover catalogue to celebrate Octavia E. Butler’s birthday on twitter (@SFRuminations), I found that her first novel Patternmaster (1976) was graced with a cover by Stephen and Timothy Quay—as in, the famous stop-motion (and more recently, live action) film directors know collectively as Brothers Quay! If you’ve never seen their work, check out The Street of the Crocodiles (1986).
Brothers Quay—along with Guy Maddin, Jan Švankmajer, Wojciech Has, Juraj Herz (for The Cremator, 1969) among others—have long been among my cinematic cornerstones, and to discover that they created SF covers certainly made my day! I have included a series of stills from their films below—creepy, gorgeous, incredibly well-crafted, (the adjectives could continue for pages). Continue reading Adventures in Science Fiction Cover Art: The Brothers Quay and SF covers
(Cover for the 1971 edition of New Writings in SF 6 (variant title: New Writings in S-F 6) (1965), ed. John Carnell)
The American artist David McCall Johnston (b. 1940) [webpage] produced a mere handful of SF covers. They are striking and somewhat minimalist in comparison to his famous fantasy covers (Orlando Furiosos, Moorcock’s The Chronicles of Corum sequence, etc). I have included all of his SF covers (that I know of) with a selection of fantasy covers (that do not intrigue me as much as the SF ones). My favorites: the 1971 edition of New Writings in SF 6, 1971 edition of New Writings in SF 7, and the 1971 Continue reading Adventures in Science Fiction Cover Art: A Spotlight on David McCall Johnston