(František Muzika, Z Českého ráje V (Ležící torzo), 1944)
František Muzika (1900-1976), a key member of the Czech New Wave scene, created haunting paintings that blended human form with the surrounding landscapes. His painting that heads this post inspired me to collect various science fiction covers (from a mix of English and non-English language presses) that showcase the interlacing of human and landscape — the body (or body parts) as landscape. There are many many many more covers on this theme and perhaps I’ll gather them for a later post. I am torn over my favorite! Leigh Taylor’s cover for the 1967 edition of J.G. Ballard’s The Disaster Area (1967) Continue reading Adventures in Science Fiction Cover Art: Body as Landscape
(Cover for the 1971 edition of Fifth Planet (1963), Fred and Geoffrey Hoyle)
On twitter I occasionally post the birthdays of important figures in SF history (artists, authors, and editors). Every morning I scan The Internet Speculative Fiction Database’s birthday list on their main page and lo and behold a name immediately popped out for May 12th–the iconic 70s SF artist David Pelham (1938-present). Enough has been written about his distinctive and surreal covers for Penguin that I won’t go into detail here. Instead I’ve included a few links if you wish to learn more below.
I invite my readers to link in the comments their favorite articles and tidbits about David Pelham and I’ll include any links I receive in my list as well.
I’ve chosen to include in this post his first three SF covers, which happen to be stylistically and thematically similar. Continue reading Adventures in Science Fiction Cover Art: Three early David Pelham covers in honor of his birthday
(Cover for the 1974 edition of Histoires de robot)
While researching the French SF author Gérard Klein, I discovered that he edited a themed anthology series La grande anthologie de la Science-Fiction with Jacques Goimard and Demètre Ioakimidis. This series covered SF stories on themes such as robots, aliens, machines, the galactic, the end of the world, time travel, etc. If you’re curious about the contents of any of the volumes in my post check out the handy Internet Speculative Fiction Database listing.
The famous French typographer, graphic artist, urbanist, and architect Pierre Faucheux—who worked primarily for the publishers Club Français du Livre and Le Livre de Poche—created the covers for Klein, Goimard, and Ioakimidis’ SF anthology series. And they are a varied and fascinating bunch…
I am not convinced I like all of them — but the 1974 edition of Histoires de machines, the 1974 edition of Histoires de fins du monde, and the 1975 edition of Histoires de voyages dans le temps certainly appeal to my artistic Continue reading Adventures in Science Fiction Cover Art: Pierre Faucheux’s 1970s covers for La grande anthologie de la Science-Fiction (robots, the end of the world, aliens, etc)
(Cover for Fiction, #200 (August, 1970), ed. Alain Dorémieux)
Our adventures in French SF magazine cover art continue! A little more than a month ago I posted on Claude Lacroix’s Delicate Lines and Mutations and we press on in a similar manner with the art of Wojtek Siudmak, a Polish-born artist based in France.
I am deliberately featuring only Siudmak’s first two years of cover art (he was very prolific): 1970-1972. Between these years he mostly illustrated the major French SF magazines Fiction and Galaxie. As I mentioned in the previous post, the 60s and 70s covers for Fiction—“the leading journal of science fiction and fantasy in France” until its cancellation in 2015—were characterized by simple color schemes and delightful line work. Siudmak adeptly works within Continue reading Adventures in Science Fiction Cover Art: The Uncanny Bodies of Wojtek Siudmak
(Cover for the 1960 edition of Out of Silent Planet (1938), C. S. Lewis)
Art Sussman produced a remarkable corpus of SF and other pulp covers (mysteries, crime, etc). He could easily shift gears between Richard Powers-esque surrealism—although distinctly his own take—to covers that suited an Agatha Christie mystery (browse the range here). I would be wary comparing him to Powers until you skim through the latter’s late 50s early 60s art (definitely an enjoyable activity!). Although Powers is still far superior, both were part of the SF art movement increasingly experimented with surreal/metaphoric and experimental art (there are still spaceships lurking around the edges, and futuristic cities, and other pulpy moments).
There is a precision of vision with Sussman’s art—his cover for the 1960 edition of Out of Silent Planet (1938), C. S. Lewis places the astronauts in an outline of a vessel with strange hints at alien planets and experiences scattered gem-like in the distance. Sussman’s focus on the human form — often surrounded by surreal forms and humanlike membranes — showcases agony and despair. A great example (and my favorite of the bunch) pairs jagged black fields with a bloodied man, the 1960 Continue reading Adventures in Science Fiction Cover Art: The 50s/60s Surrealistic Stylings of Art Sussman
(Cover for Fiction, #228 (1972), ed. Alain Dorémieux)
In the 60s and 70s the covers for Fiction—“the leading journal of science fiction and fantasy in France” until its cancellation in 2015—were characterized by simple color schemes punctuating by often delicate line work. Working within these strictures (I suspect to cut back on printing costs), a handful of artists pop out from the herd: Jean-Claude Forest, Philippe Curval, Wojtek Siudmak, Philippe Caza….
….and the mysterious Lacroix about which I can find little online. If anyone knows more about him, or if it’s a pseudonym for another artist, let me know!
I’ve included slightly more than half of Lacroix’s total SF art credits and two of them in particular resonate with me: Fiction, #228 (1972) (above) and Fiction, #197 (1970) (below). In the former the eyes staring out of the robotic body exudes horror and existential terror. And the mechanical body descends into some more sprawling contraption, losing its human form Continue reading Adventures in Science Fiction Cover Art: Lacroix’s Delicate Lines and Mutations (60s/70s covers for the French SF Magazine Fiction)
(Cover for the 1975 edition of The Hellhound (1975), Ron Goulart)
Over the past year or so I’ve explored the artists behind Doubleday Science Fiction—from the early art of The Brothers Quay, who later became well-known directors of experimental short film, to an interview with artist Emanuel Schongut. I’ve included the links to other posts in the loose series below.
Anita Siegel (1939-2011) was a Brooklyn based artist best known for her “sardonic collages seamlessly combining pictures into biting satires” (from her obituary). Her work also featured in the New York Times Op-Ed page (especially during Continue reading Adventures in SF Cover Art: Collage and Mechanism: Anita Siegel’s Art for Doubleday Science Fiction