New books! At one point in time I had a copy of Frank Herbert’s great Destination: Void (1966). However, it wasn’t the original 1966 version but a rewrite from the late 70s. Generally I prefer reading the first published versions (unless they were serialized in magazines) so I was desperate to get my hands on a copy.
More Sladek! The Müller-Fokker Effect (1970) is his best known novel. SF aficionados of the 60s/70s often describe Saldek as one of the unsung comedic/satirical greats. I’ve read his first novel a while back, The Reproductive System (variant title: Mechasm) (1968) and had a lukewarm reaction. I will definitely pick up The Müller-Fokker Effect before the year is out.
Margaret St. Clair’s Sign of the Labrys (1963) has proved to be one of the worst books I’ve read this year. But, I will give her short stories, the the collection Change the Sky and Other Stories (1974). another chance.
2theD at PotPourri of Science Fiction Literature send me Douglas R. Mason’s The Resurrection of Roger Diment (1972) a while back. Mason’s The Eight Against Utopia (1966) was downright dismal so I’m not sure when I’ll get to this one.
1. Destination: Void, Frank Herbert (1966)
(Uncredited—looks somewhat like Di Fate?—cover for the 1970 edition) Continue reading
(Nik Puspurica’s cover for the 1960 edition)
Frederik Pohl’s best early SF was produced with his frequent collaborator C. M. Kornbluth—the most notable of which include the masterpiece The Space Merchants (1953) and Gladiator-In-Law (1954). The solo work I have read so far from the same period does not reach the heights of his Kornbluth collaborations but rather fluctuates between downright dull satires with intelligent dogs in the vein of Slave Ship (1956) to solid but unspectacular satire about higher education, Drunkard’s Walk (1960). As of this moment in my SF reading career I place Pohl’s editorial work above his 50s/early 60s solo SF. That said, I have not read any of his short fiction.
Recommended for fans of 50s/60s Continue reading
Nearing the end of my undocumented purchases… A great series of coves — including Richard Powers and Paul Lehr. Again, Dangerous Visions Vol. 2 (1972) (did not realize it was in two volumes, but alas) and another Malzberg novel, The Last Transaction (1977) to add to my nearly complete collection of his solo written novels.
1. The Eternal Frontiers, James H. Schmitz (1973)
(Richard Powers’ cover for the 1973 edition) Continue reading
(Vincent Di Fate’s cover for the 1970 edition)
4/5 (collated rating: Good)
A solid collection of seventeen short stories and one novelette by one of my favorite New Wave authors, Norman Spinrad. Although the collection seldom reaches the heights of his inventive and original alt-history novel The Iron Dream (1972), The Last Hurrah of the Golden Horde (1970) is still a wonderful showcase of his earliest short fiction. However, Spinrad’s relentlessly bleak outlook on Earth’s future will not appeal to all SF readers. I only recommend the collection for fans of experimental late 60s SF, the New Wave movement, and bleak satires of societal ills (count me in!).
The best include: “Technicality” (1966), a war against pacifist aliens who wield horrific but non-lethal weapons; “The Last Hurrah of the Golden Horde” (1969), an absurdist pastiche of the bastardization of ideology and societal decadence; and “Dead Continue reading
A strange bunch….
Another Barry N. Malzberg novel—Chorale (1978)—to add to my nearly complete collection of his SF novels + short story collections.
Another Richard Cowper novel—purchased months ago mainly due to the gorgeous Paul Lehr cover. The whimsical subject matter of the work unfortunately does not match the profound and surreal stillness of Lehr’s vision.
A short story collection containing a nice range of nebula-nominated (and winning) short SF from 1970: Sturgeon, Laumer, Wolfe, Fritz Leiber, Lafferty, Harrison, Russ.
And finally what is supposedly one of Lafferty’s oddest experiments: Annals of Klepsis (1983).
1. Phoenix, Richard Cowper (1968)
(Paul Lehr’s cover for the 1970 edition) Continue reading
(Vincent Di Fate’s cover for the 1973 edition)
4.5/5 (Very Good)
Naomi Mitchison’s first science fiction novel, Memoirs of a Spacewoman (1962), is a brilliant episodic rumination on the nature of non-violent interaction with alien species that challenge (and transform) conceptions of ourselves and others. Although R. S. Lonati’s cover for the 1964 Four Square edition suggests a pulp adventure—replete with flashy spaceships, explosions, and traditional adventure—Memoirs is cut from an altogether different cloth.
The first sentence of the novel narrows in on Mitchison’s central themes:
“I think about my friends and the fathers of my children. I think about my children, and I think less about my four dear normals than I think about Viola. And I think about Ariel. And the other. I wonder sometimes how old would be if I counted the years of time blackout during exploration (5).”
In my youth I read Ursula Le Guin like a madman—somewhere in the intervening years I misplaced my copies of her short story collections. So, while voyaging to a nearby city (with Half Price Books) I decided to snag one—The Compass Rose (1982) contains mostly 70s short stories. Excited.
I have been presently impressed with *some* of Philip José Farmer’s work—namely, Strange Relations (1960)—-so I could not resist a “best of” collection.
I am perhaps most excited about David Gerrold’s edited collection Generation: An Anthology of Speculative Fiction (1972). Contains a wide range (and almost equal ratio of male/female authors) of fascinating stories.
I bought C. M. MacApp’s Secret of the Sunless World (1969) due to the title and the amazing Berkey cover. Now that I sat down and transcribed the back cover I rather dissuaded from picking it up anytime soon…
1. The Book of Philip José Farmer, Philip José Farmer (revised 1982, 1973)
(James Warhola’s cover for the 1982 edition) Continue reading