Book Review: A Scourge of Screamers (variant title: The Lost Perception), Daniel F. Galouye (1966)

(Paul Lehr’s cover for the 1968 edition)

2.75/5 (Vaguely Average)

Recently I procured a handful of Daniel F. Galouye’s novels (here) for a few dollars on ebay because I enjoyed his first novel Dark Universe (1961), which is an underread/underrated classic of the early 60s.  In an effort to rekindle public interest in Galouye’s small ouvre (he died at 54 due to war injuries and was unable to write much in the last ten years of his life), he received the Cordwainer Smith Rediscovery Award in 2007.  Unfortunately, Galouye’s fast-paced sci-fi thriller A Scourge of Screamers (variant title: The Lost Perception) does not measure up to the claustrophobic and well-plotted social rumination (with a good dose of action) that is The Dark Universe.

The most redeeming feature is Paul Lehr’s harrowing depiction of mental anguish

Updates: My 7 Favorite Metafictional Science Fiction Novels

Here are my seven favorite metafictional science fiction novels. By metafiction I’m referring to devices such as breaking the fourth wall (characters addressing the audience), the author addressing the reader, a story about a writer writing a story, a story containing another work of fiction within it, a work where the narrator reveals himself or herself as the author of the story, narrative footnotes, etc….

I’d love to hear your favorites (they don’t have to be novels)!

Obviously, these types of experimental works only appeal to some readers (especially fans of the sci-fi New Wave movement of the late 60s and early 70s) but I personally love seeing experimentation in an often — dare I say — stylistically stale genre.  Often, the metafictional aspects do not prevent authors from deploying traditional narratives.

     

My top seven (and an honorable mention):

1. Beyond Apollo, Brian N. Malzberg (1972) (REVIEW) — what you read is most likely the novel written by the main character. However, he’s most likely insane so attempting to get AT the true nature of his voyage to Venus is purposefully layered… Complicating the matter is how unreliable of a narrator he is and the fact that he’s tells many versions of the same story. Malzberg pokes fun at pulp science fiction throughout — which he clearly enjoyed as a child.

2. Stand on Zanzibar, John Brunner (1968) — the metafictional aspects are rather hidden in this New Wave masterpiece (my single favorite sci-fi novel).  Brunner’s vast (in scope and depth) mosaic of invented book fragments, advertising jingles, and narrative portions are interspersed with news articles taken from his own day — including the school shooting at the University of Texas in 1966.  Of course, as readers we’re geared to imagining that everything

Adventures in Science Fiction Cover Art: Nostalgic Visions — Plastic Toy Spacemen

(Uncredited cover for the 1970 edition of When Two Worlds Meet (1970), Robert Moore Williams)

A while ago I put together a post on the theme of Models, Dolls, and Mannequins in cover art.  Little did I know that Curtis Books (a rather minor publisher of generally minor authors) and Born, a Dutch imprint, used a substantial number of cover compositions comprised of manipulated photographs/collages etc of plastic toy spacemen in unusual alien environments.  Also, a few more major publishers/magazines — Four Square Science Fiction and Analog Science Fiction Science Fact — had their own take on the theme.

I find these covers very charming and fun (sort of like a science fiction B-film from the 50s) — not necessarily artistic masterpieces.  They certainly evoke childhood games with toy figurines — perhaps placed in the lawn or sandbox or amongst the grass. I’ve included a few from my previous post and another can be found in my post

Updates: Recent Science Fiction Acquisitions No. LXIV (Herbert + Tenn + Geston + Cummings)

More from my local dirt cheap book store…

By far most interested in William Tenn’s lone novel (he was predominately a short story writer) Of Men and Monsters (1968) — humans living in the walls, like mice, in the homes of the alien invaders of Earth.  Geston’s novelette The Day Star (1972) should be a fast and fun read — hopefully despite the comment by previous owner of the book who inscribed ”TEDIOUS” on the back cover with a ballpoint pen…

Some fun covers.

1. Hellstrom’s Hive, Frank Herbert (1972)

(R. Shore’s cover for the 1975 edition)

Excerpt from the inside flap of the first edition hardback: “In the summer of 1971, Doctor Nils Hellstrom appeared in his own film production, The Hellstrom Chronicle.  The motion picture

Updates: Recent Science Fiction Acquisitions No. LXIII (Simak + Tenn + Clement + Frayn)

A new bookstore in my hometown!  Great results! Dirt cheap (between 1-2 $ a book)!  Happy me!

I finally have a copy of Hal Clement’s hard science fiction masterpiece, Mission of Gravity (1953)…  And a collection of William Tenn’s short stories with a downright gorgeous Powers cover — Tenn is supposedly up there with Sheckley in the satirical pantheon of the 50s… Among others…

Has anyone read Michael Frayn’s A Very Private Live (1968)?  I’ve never heard of it before but the Lehr cover was too amazing to pass up…

1. The Human Angle, William Tenn (1956)

(Robert Powers’ cover for the 1956 edition)

From the inside flap: “WIT: an extra-terrestrial sells pornographic literature

Adventures in Science Fiction Cover Art: The Power of the Atom!

(John Richards’ cover for the 1958 edition of Crisis 2000 (1955), Charles Eric Maine)

On science fiction covers from the 40s and 50s the atom is often emblematic of atomic power and all the dangers and promises that such a scientific breakthrough could (and did) yield.  In John Richards’ cover for the 1958 edition of Charles Eric Maine’s Crisis 2000 (1955) the humanoid super beings arrive from Saturn to terrorize Earthmen — and, carefully covering the private areas of one of these denizens of Saturn is the atomic symbol surrounded by blood. The cover is made even more unnerving by the multiplicity of identical

Updates: Recent Science Fiction Acquisitions No. LXII (Amis + Cummings + Van Vogt)

A strange conglomeration of novels….

If there’s any era I’m lacking knowledge in it’s late 20s-early 40s (well, I’ve read some Van Vogt + Edgar Rice Burroughs) pulp science fiction — so I decided to brush up on some of the greats.  With that in mind I acquired five Ray Cummings novels (the rest will be in a later acquisition post) and Van Vogt’s Slan (1940)…..  I don’t have high hopes.  But now I own my first Alex Schomburg cover!

I generally do not accept review copies due to the fact that most offers are for self-published works rather than republished novels from the period I’m most familiar with (and prefer to read) — 1950-1985.  So, when New York Review of Books offered me a copy of Kingsley Amis’ well-known alt-history/sci-fi (depending on whose definition you’re reading) novel The Alteration (1976) I happily agreed….

1. The Exile of Time, Ray Cummings (magazine publication 1931)

(Alex Schomburg’s cover for the 1964 edition)

Adventures in Science Fiction Cover Art: The Space Station, Part II

(Arthur Hawkins’ cover for the 1959 edition of Skyport (1959), Curt Siodmak)

Part II of my series on cover art depicting space stations (Part I).  Here are vast assortment of primarily Alex Schomburg and Vincent Di Fate’s artwork — they did love their space stations.  But, I think my favorite is by far Arthur Hawkins’ cover for the 1959 edition of Curt Siodmak’s Skyport (1959) — the author is of course famous for the novel Donovan’s Brain (1942).  The delightful color scheme, the 50s aesthetic, the vague indication of continents below, the cluster of

Book Review: The Status Civilization, Robert Sheckley (1960)

(Richard Powers (?) cover for the 1960 edition)

4/5 (Good)

Robert Sheckley deftly manipulates — in a mere (but dense) 127 pages – a plot straight from the pulps involving prison planets and gladiatorial fights against terrifying robots into a scathing and artfully constructed work of satire.  Similar skills were apparent in his masterful collection Store of Infinity (1960) where traditional sci-fi situations such as colonization of alien worlds, robot rebellions, post-apocalyptical wastelands, and time-travel (among other tropes) are imbued with witty wordplay and biting social