December 9, 2013 § 9 Comments
(Uncredited cover for the 1959 edition)
Nominated for the 1959 Hugo Award for Best Novel
Robert Sheckley’s first novel Immortality, Inc. (variant title: Time Killer) (1958) has a somewhat checkered publication history. It was originally published by Avalon books under the title Immortality Delivered (1958) where it was abridged against Sheckley’s wishes. Unless you are a collector of the Avalon publication series I recommend procuring the complete 1959 Bantam Book edition with its gorgeous (and alas, uncredited) cover. Later editions were decked with rather unfortunate covers linking the book to the atrocious film Freejack (1992) (replete with Mick Jagger) which was supposedly influenced by Sheckley’s novel.
Thematically, Immortality, Inc concerns the societal ramifications of the important discovery that death is not the end of existence and neither does the Christian conception of the afterlife « Read the rest of this entry »
December 8, 2013 § 27 Comments
(Paul Lehr’s cover for the 1979 edition of Crompton Divided (variant title: The Alchemical Marriage of Alistair Crompton) (1978), Robert Sheckley)
Paul Lehr’s cover for the 1979 edition of Robert Sheckley’s Crompton Divided (1978) was the inspiration for this post. I found the cover many years ago while looking through Lehr’s entire (mostly brilliant catalogue) and was intrigued. The man, comprised of puzzle-like pieces that slowly morph into the swirls of his clothes, stares at us with hybridized eyes — a planet, a pupil — while one missing puzzle piece allows the viewer a glimpse of a barren landscape. His brain, entirely a puzzle, is complete, but are his senses crumbling?
Dean Ellis’ cover for the 1971 edition of Larry Niven’s collection All the Myriad Ways (1971) is even more fantastic — the puzzle pieces (bones, faces, limbs) dangle in the air « Read the rest of this entry »
November 24, 2013 § 21 Comments
(Mel Hunter’s cover for the 1956 edition)
3/5 (collated rating: Average)
Although Theodore Sturgeon is generally considered a master of the SF short form, his collection A Way Home (1956) contains only two worthwhile stories – ”Thunder and Roses” (1947) and ”Bulkhead” (1955). The rest I was either unable to finish or struggled to muddle through over the course of the last two or so weeks. Fortunately, the near masterpiece ”Bulkhead” was almost worth the pain induced by the intelligent dog related subgenre of SF manifest in “Tiny and the Monster” (1947) or the cute accidentally destructive hurkle kittens of ”The Hurkle Is a Happy Beast” (1949).
At this stage in my recent endeavor to brush up on the best of the 50s short story wordsmiths, I place Sturgeon below Robert Sheckley, Brian Aldiss, Philip K. Dick, Fritz Leiber, Miriam Allen deFord, Lester del Rey, Walter M. Miller, Jr., C. M. Kornbluth, and Frederik Pohl. (shocking to some, I know!).
However, before I make a more definitive conclusion I call on my readers to list what you consider his best short work « Read the rest of this entry »
Book Review: And Strange at Ecbatan the Trees (variant title: Beneath the Shattered Moons), Michael Bishop (1976)
November 19, 2013 § 6 Comments
(Jonathan Weld’s cover for the 1976 edition)
Michael Bishop’s And Strange at Ecbatan the Trees (variant title: Beneath the Shattered Moons) (1976) is a melancholic and allegorically inclined parable about a coming cataclysm that threatens a programmed and hierarchically rigid society (accomplished via genetic modification). Bishop’s voice is an intensely humanistic once, futuristic technology is present but not a central concern…. The simple but effective plot is the perfect vehicle for his moralistic ruminations: a man forced into action, a world compelled — despite the external forces at play — to adapt.
And Strange at Ecbatan the Trees is the first of Michael Bishop’s works I have read and I am definitely intrigued enough to place his supposedly superior Nebula-nominated first novel, Funeral for the « Read the rest of this entry »
November 9, 2013 § 20 Comments
A nice haul from the local used book store and various internet sources…. After Effinger’s masterpiece What Entropy Means to Me (1972) I was desperate to get my hands on another one of his novels (or short story collections — Relatives is not supposed to be as good but, perhaps it will prove the critics (well, namely John Clute) wrong.
Miriam Allen deFord was a prolific 50s short story writer. Xenogenesis (1969) is the only published collection solely of her stories — thankfully it’s graced with a wonderful Richard Powers cover.
Despite the hideous cover, Michael Bishop’s first novel A Funeral for the Eyes of Fire (1975) is generally considered quite good. I’ve already read and reviewed Dan Morgan’s average but inventive SF thriller Inside (1971) but included it in this post anyway because I had yet to reach my four new acquisitions for a post.
Have you read any of these novels? If so, what did you think?
1. Relatives, George Alec Effinger (1973)
(Uncredited cover for the 1976 edition) « Read the rest of this entry »
November 5, 2013 § 12 Comments
(Richard Powers’ cover for the 1974 edition)
Dan Morgan’s output appears to have been mostly forgotten even by the most dedicated fans of the genre. And unfortunately, no collections of his short stories (he published around 40) were released in his lifetime. John Clute’s assessment of his work — “Though he was not a powerful writer, and though he never transcended the US action-tale conventions to which he was so clearly indebted, it is all the same surprising that Morgan has been ignored” — rings true in regards to the sole novel of his I have read, Inside (1971).
Inside is a tightly-plotted action tale that plays out layered (almost painfully entropic) levels of delusion. The neatly packaged premise never goes beyond the strictures « Read the rest of this entry »
October 31, 2013 § 21 Comments
(Peter Goodfellow’s cover for the 1979 edition of The Moment of Eclipse (1970), Brian Aldiss)
Make sure to take a peek at Part I if you enjoyed this collection!
In Part I I described how I was inspired by Ed Valigursky’s stunning and powerful cover — with its giant eye, running figures, and perspective lines drawn across the artificial field heightening the tension — to look through my image collection and find similar examples. Since I made the last post I’ve collected quite a few more examples (from my own collection and image collections online) along similar lines.
Mitchell Hooks’ cover for the 1958 edition of The Big Eye (1949) by Max Ehrlich has long been one of my favorite covers and it has cropped up in various posts over the years…. The uncredited cover for the 1969 edition of The Cosmic Eye « Read the rest of this entry »
October 27, 2013 § 3 Comments
A fun bunch of thrift store finds and gifts…. I’m most excited about Robert Sheckley’s novel Immortality, Inc. (1958) — not only is the cover gorgeous (the initials read LSG but I can’t figure out who the artist might be) but Sheckley is fast becoming a favorite of mine (for example, the short story collections Store of Infinity and The People Trap).
I know very little about George Zebrowski’s novels. So, I’ll approach The Omega Point (1972) with a tad bit trepidation. Has anyone read him? If so, what do you think?
I’ve read Heinlein’s The Man Who Sold the Moon but I have a much later edition and sort of enjoy the standard pulp cover for the 1951 edition.
And another Anderson classic….
1. Immortality, Inc., Robert Sheckley (1958) (MY REVIEW)
(Uncredited — brilliant — cover for the 1959 edition) « Read the rest of this entry »
October 17, 2013 § 8 Comments
(Richard Powers’ cover for the 1958 edition)
C. L. Moore’s Doomsday Morning (1957) — she’s best known for her revolutionary 1930s works including “Shambleau” (1934) and the “Jirel of Joiry” sequence — is perhaps her most ruminative and traditional SF novel (she tended to write more fantastical SF and fantasy). Unfortunately, she quit writing around the time of the death of her husband and frequent collaborator Henry Kuttner (they often published under the pseudonym Lewis Padgett). And her second husband forbid her to write altogether…
Moore creates a finely wrought dystopic vision where an oppressive future government utilizes communication networks to spread its tentacles across the United States. Against this backdrop intriguing characters come to life. Her descriptions of the political backdrop remain minimalistic which is surprising for SF of the 50s which often resorts to lengthy descriptive lectures. Instead, the true extent of the government’s « Read the rest of this entry »