A strange bunch….
Another Barry N. Malzberg novel—Chorale (1978)—to add to my nearly complete collection of his SF novels + short story collections.
Another Richard Cowper novel—purchased months ago mainly due to the gorgeous Paul Lehr cover. The whimsical subject matter of the work unfortunately does not match the profound and surreal stillness of Lehr’s vision.
A short story collection containing a nice range of nebula-nominated (and winning) short SF from 1970: Sturgeon, Laumer, Wolfe, Fritz Leiber, Lafferty, Harrison, Russ.
And finally what is supposedly one of Lafferty’s oddest experiments: Annals of Klepsis (1983).
1. Phoenix, Richard Cowper (1968)
(Paul Lehr’s cover for the 1970 edition) Continue reading
(Vincent Di Fate’s cover for the 1973 edition)
4.5/5 (Very Good)
Naomi Mitchison’s first science fiction novel, Memoirs of a Spacewoman (1962), is a brilliant episodic rumination on the nature of non-violent interaction with alien species that challenge (and transform) conceptions of ourselves and others. Although R. S. Lonati’s cover for the 1964 Four Square edition suggests a pulp adventure—replete with flashy spaceships, explosions, and traditional adventure—Memoirs is cut from an altogether different cloth.
The first sentence of the novel narrows in on Mitchison’s central themes:
“I think about my friends and the fathers of my children. I think about my children, and I think less about my four dear normals than I think about Viola. And I think about Ariel. And the other. I wonder sometimes how old would be if I counted the years of time blackout during exploration (5).”
In my youth I read Ursula Le Guin like a madman—somewhere in the intervening years I misplaced my copies of her short story collections. So, while voyaging to a nearby city (with Half Price Books) I decided to snag one—The Compass Rose (1982) contains mostly 70s short stories. Excited.
I have been presently impressed with *some* of Philip José Farmer’s work—namely, Strange Relations (1960)—-so I could not resist a “best of” collection.
I am perhaps most excited about David Gerrold’s edited collection Generation: An Anthology of Speculative Fiction (1972). Contains a wide range (and almost equal ratio of male/female authors) of fascinating stories.
I bought C. M. MacApp’s Secret of the Sunless World (1969) due to the title and the amazing Berkey cover. Now that I sat down and transcribed the back cover I rather dissuaded from picking it up anytime soon…
1. The Book of Philip José Farmer, Philip José Farmer (revised 1982, 1973)
(James Warhola’s cover for the 1982 edition) Continue reading
(Paul Alexander’s cover for the 1977 edition)
2.75/5 (collated rating: Vaguely Average)
A while back I picked up a copy of George Zebrowski’s The Monadic Universe (1977) for my friend 2theD at Potpourri of Science Fiction Literature to supplement his suitcase of SF books he buys every year before heading back to Thailand. Before I sent it to him I read a single story “The History Machine” (1972) and was intrigued enough to buy the collection for myself.
Bluntly put Zebrowski’s post-apocalyptical, polluted, environment going to hell futures are dull and resort to random violence, sinister women characters, and lengthy information dumps. The stories containing metaphysical thought-experiments are slightly more successful although the lack of articulate prose weakens their power. I only recommend three Continue reading
(Jack Faragasso’s cover for the 1975 edition)
3.5/5 (collated rating: Good)
The Many Worlds of Barry Malzberg (1975) contains eleven short works of which four (“Initiation,” “Management,” “Reconstitution,” and “After the Unfortunate Accident”) were original to the volume and have not been published elsewhere.
My first exposure to Barry N. Malzberg’s massive short fiction catalogue was a mixed bag. But even the least intriguing of his works contain literary prose and unsettling scenes… I recommend this collection for a handful of the stories (although the best can be found elsewhere): namely, “The Union Forever” (1973), “Reconstitution” (1975), “Death to the Keeper” (1968), and”Closed Sicilian” (1973).
I found Continue reading
(Paul Lehr’s cover for the 1962 edition)
4.75/5 (Very Good)
“Beyond a doubt, Joenes himself was an actual person; but there is no way of determining the authenticity of every story told about him. Some of the tales do not appear to be factual accounts, but rather, moral allegories. But even those that are considered allegorical are representative of the spirit and temper of the times” (vii).
Robert Sheckley’s third novel Journey Beyond Tomorrow (1962)—after Immortality, Inc. (1959) and The Status Civilization (1960)—is a wildly successful episodic novel that plays to his strengths as a short story author. In a similar but less radical manner as George Alec Effinger’s What Entropy Means to Me (1972), Sheckley subverts the notion of narrative truth and by so doing explores the complex nature of Continue reading
Recent travels yield wonderful SF hauls—including one of the most famous post-apocalyptical novels of all time, George R. Stewart’s Earth Abides (1949). Thankfully my edition is graced with a gorgeous Lehr landscape—strange forms in the distances, crushed cars in the foreground.
The most famous SF anthology of all times—Ellison’s Dangerous Visions (1967). As a proponent of the New Wave movement it’s about time that I snagged a copy (disclaimer before the cries of derision: I have already read numerous stories contained in the anthology).
An early Holdstock novel (I might get to that one soon)….
And a shot in the dark—M. K. Joseph’s The Hole in the Zero (1967). John Clute (the noted SF critic) describes it such on SF Encyclopedia: it “begins as an apparently typical Space-Opera adventure into further dimensions at the edge of the Universe, but quickly reveals itself as a linguistically brilliant, complex exploration of the nature of the four personalities involved as they begin out of their own resources to shape the low-probability regions into which they have tumbled. Ultimately the novel takes on allegorical overtones. As an examination of the metaphorical potentials of sf language and subject matter, it is a significant contribution to the field.” Sounds intriguing to me…
1. Earth Abides, George R. Stewart (1949)
(Paul Lehr’s cover for the 1974 edition) Continue reading