November 13, 2013 § 19 Comments
Bargain bins yield some Clarke and Asimov classics I read when I was a teen but never owned…. I remember thinking at the time that Imperial Earth (1975) was one of Clarke’s best novels. Dickson’s Dorsai! (1960) — I’ve never been a fan of military SF — is a classic I need to get around to reading. And, my final find was Richard Cowper’s Time Out of Mind (1973). I was surprisingly impressed with his lighthearted romp of a novel, Profundis (1979).
Thoughts on the books?
1. Time Out of Mind, Richard Cowper (1973)
(Don Maitz’s cover for the 1981 edition)
From the back cover: “As a young boy, Laurie Linton encountered a strange apparition: a ghostly man who urgently mouthed a message: KILL MAGOBION! Years later, as members of the UN Narcotics Security Agency, Linton and the beautiful Carol Kennedy were assigned a special duty: investigation of a mysterious drug which endowed its addicts with superhuman powers. « Read the rest of this entry »
November 12, 2013 § 9 Comments
(Josh Kirby’s cover for the 1975 edition)
4.5/5 (Very Good)
Michael G. Coney’s Hello Summer, Goodbye (variant title: Rax) (1975) — often considered a minor classic of the genre — is a lyrical paean to young love arrayed against a backdrop of a world filled with increasingly sinister undercurrents, unusual (and fantastic) fauna and flora, and characters we connect with in deeply emotional ways. I am the first to admit that I am intensely suspicious of SF labeled thusly: “This is a love story, and a way story, and a science fiction store, and more besides” (authors note). However, the “love story” elements are so delicately wrought and unfold naturally without undue melodramatic flair that I was smitten with the characters and felt for their struggles.
Welcome to an alien world where anomie trees « Read the rest of this entry »
November 9, 2013 § 20 Comments
A nice haul from the local used book store and various internet sources…. After Effinger’s masterpiece What Entropy Means to Me (1972) I was desperate to get my hands on another one of his novels (or short story collections — Relatives is not supposed to be as good but, perhaps it will prove the critics (well, namely John Clute) wrong.
Miriam Allen deFord was a prolific 50s short story writer. Xenogenesis (1969) is the only published collection solely of her stories — thankfully it’s graced with a wonderful Richard Powers cover.
Despite the hideous cover, Michael Bishop’s first novel A Funeral for the Eyes of Fire (1975) is generally considered quite good. I’ve already read and reviewed Dan Morgan’s average but inventive SF thriller Inside (1971) but included it in this post anyway because I had yet to reach my four new acquisitions for a post.
Have you read any of these novels? If so, what did you think?
1. Relatives, George Alec Effinger (1973)
(Uncredited cover for the 1976 edition) « Read the rest of this entry »
November 5, 2013 § 12 Comments
(Richard Powers’ cover for the 1974 edition)
Dan Morgan’s output appears to have been mostly forgotten even by the most dedicated fans of the genre. And unfortunately, no collections of his short stories (he published around 40) were released in his lifetime. John Clute’s assessment of his work — “Though he was not a powerful writer, and though he never transcended the US action-tale conventions to which he was so clearly indebted, it is all the same surprising that Morgan has been ignored” — rings true in regards to the sole novel of his I have read, Inside (1971).
Inside is a tightly-plotted action tale that plays out layered (almost painfully entropic) levels of delusion. The neatly packaged premise never goes beyond the strictures « Read the rest of this entry »
October 31, 2013 § 21 Comments
(Peter Goodfellow’s cover for the 1979 edition of The Moment of Eclipse (1970), Brian Aldiss)
Make sure to take a peek at Part I if you enjoyed this collection!
In Part I I described how I was inspired by Ed Valigursky’s stunning and powerful cover — with its giant eye, running figures, and perspective lines drawn across the artificial field heightening the tension — to look through my image collection and find similar examples. Since I made the last post I’ve collected quite a few more examples (from my own collection and image collections online) along similar lines.
Mitchell Hooks’ cover for the 1958 edition of The Big Eye (1949) by Max Ehrlich has long been one of my favorite covers and it has cropped up in various posts over the years…. The uncredited cover for the 1969 edition of The Cosmic Eye « Read the rest of this entry »
October 27, 2013 § 3 Comments
A fun bunch of thrift store finds and gifts…. I’m most excited about Robert Sheckley’s novel Immortality, Inc. (1958) — not only is the cover gorgeous (the initials read LSG but I can’t figure out who the artist might be) but Sheckley is fast becoming a favorite of mine (for example, the short story collections Store of Infinity and The People Trap).
I know very little about George Zebrowski’s novels. So, I’ll approach The Omega Point (1972) with a tad bit trepidation. Has anyone read him? If so, what do you think?
I’ve read Heinlein’s The Man Who Sold the Moon but I have a much later edition and sort of enjoy the standard pulp cover for the 1951 edition.
And another Anderson classic….
1. Immortality, Inc., Robert Sheckley (1958)
(Uncredited — brilliant — cover for the 1959 edition) « Read the rest of this entry »
October 23, 2013 § 2 Comments
(Uncredited cover for the 1968 edition)
Alan E. Nourse’s The Mercy Men (1955) contains all the necessary parts for a riveting 1950s SF thriller: a disturbing future America where the destitute sell their bodies for medical experimentation, a world wrecked by increasing waves of mental illness, and a hero with a manic obsession with finding the man who killed his father. However, Nourse’s strategic dousing of the characters and scenes with Extra Sensory Perception (ESP) hoopla muddles the wonder of the world and rigor of the action and leaves the reader imagining all the lost opportunities.
And of course in the best pulp tradition which Nourse so fervently adheres to, science wins out in the end and provides nicely packaged easy « Read the rest of this entry »
October 17, 2013 § 8 Comments
(Richard Powers’ cover for the 1958 edition)
C. L. Moore’s Doomsday Morning (1957) — she’s best known for her revolutionary 1930s works including “Shambleau” (1934) and the “Jirel of Joiry” sequence — is perhaps her most ruminative and traditional SF novel (she tended to write more fantastical SF and fantasy). Unfortunately, she quit writing around the time of the death of her husband and frequent collaborator Henry Kuttner (they often published under the pseudonym Lewis Padgett). And her second husband forbid her to write altogether…
Moore creates a finely wrought dystopic vision where an oppressive future government utilizes communication networks to spread its tentacles across the United States. Against this backdrop intriguing characters come to life. Her descriptions of the political backdrop remain minimalistic which is surprising for SF of the 50s which often resorts to lengthy descriptive lectures. Instead, the true extent of the government’s « Read the rest of this entry »
October 10, 2013 § 6 Comments
(Richard Powers’ cover for the 1964 edition)
3.75/5 (collated rating: Good)
I’ve been in a 50s SF short story craze of late, devouring collections by Robert Silverberg (Godling, Go Home!), Walter M. Miller, Jr. (The View From the Stars), Fritz Leiber (A Pail of Air), Lester Del Rey (Mortals and Monsters), and a few Robert Sheckley volumes a few months before. Fresh off of William Tenn’s solid novel Of Men and Monsters (1968) I went into The Human Angle (1956) (containing three novelettes and five short stories predominately from the 50s) with high expectations. Despite the handful of duds – ”The Human Angle” (1948), “Project Hush” (1954) and ”The Discovery of Morniel Mathaway” (1955) – that tend to creep into most collections of shorts, the majority were characterized by sardonic brilliance.
Although not as biting as his august contemporaries Robert Sheckley and C. M. Kornbluth, Tenn’s visions are delightfully humorous and ironic. It’s worth getting your « Read the rest of this entry »