Two remaining books from the $1 hardback sale at my local bookstore….
A collection of Malzberg stories!
Another novel by one of my favorite SF authors, George Alec Effinger (i.e. his amazing metafictional novel What Entropy Means to Me (1972) blew me away)…
And finally an overpopulation/ecological disaster themed collection containing some great authors–Pamela Zoline, J. G. Ballard, Katherine MacLean, Kit Reed, Zelazny, etc.
1. The Unreasoning Mask, Philip José Farmer (1981)
(Artifact’s cover for the 1981 edition) Continue reading
(Richard Weaver’s cover for the 1972 edition of Dreadful Sanctuary (1948), Eric Frank Russell)
THE SKULL. The bones of the dead, the empty sockets gazing at us, a deathly gaze…. I have collected for your [horror filled] enjoyment a vast variety of SF skulls: the moon mutated into a skull, the half-skinned skull as part of mysterious contraptions, photographs of real human skulls interspersed with statuary and wigs, bizarre pink skulls pulsating with green radiation-esque Continue reading
(Josh Kirby’s cover for the 1970 edition of The Reproductive System (variant title: Mechasm) (1968), John Sladek)
It has been too long since I collated a cover art post… I have a love hate relationship with Josh Kirby’s work. He tends to be on the comedic side, for example, he provided covers for a large percentage of Ron Goulart’s DAW titles (The Wicked Cyborg, etc) and Prachett’s Discworld novels.
However, for a brief window of time in the 60s and 70s he produced some gorgeously surreal depictions of astronauts and and astronaut transformations. His cover for the 1970 edition of The Reproductive System (variant Continue reading
A nice mix with some gorgeous Powers’ covers—some 30s + 50s pulp, three novellas in one of only a handful of female SF author anthologies ever published, and another John Brunner novel for my extensive collections (it’s an expanded novel from one of his earlier pulp works, hopefully he improved the original version).
1. After Worlds Collide, Philip Wylie and Edwin Balmer (1933)
(Richard Powers’ cover for the 1963 edition)
From the back cover: “When the group of survivors from Earth landed on Bronson Beta, they expected absolute desolation. This Earth-like planet from another universe had been hurtling through space, cold and utter darkness for countless millennia. All life should have perished millions of years ago. But the Earth-people found a breathtakingly beautiful city, encased in a huge, transparent metal bubble; magnificent apartments filled with every luxury; food for a lifetime in the vast, empty kitchens; but with no trace either of life—or death. Then the humans learned they were not alone on Bronson Beta…” Continue reading
…a wonderful haul from Half Price Books.
More Lafftery (I will read Past Master soon, I promise)!
Two more Zelazny novels!
And a Zebrowski collection…
I love hearing your thoughts/comments.
1. Past Master, R. L. Lafferty (1968)
(Diane and Leo Dillon’s cover for the 1968 edition) Continue reading
(Uncredited cover for the 1968 edition of Operation Terror (1962), Murray Leinster)
Barry N. Malzberg’s depressed/depraved astronauts have inspired me to make a post! (unfortunately, the covers for his books do not really fit the bill).
Guy Billot’s cover for the 1975 edition of Brian Stableford’s Man in a Cage (1975) perfectly embodies the feel of existential crisis—man, hemmed in by a single red line, raises his arms against the star-studded sky in anguish. The nature of the crisis is left oblique. I have selected a variety of covers that convey—with varying degrees of success/precision—this same mental state.
I admit that some might not fit the bill exactly—for example, in the uncredited Continue reading
With the sole novel of his I’ve read, What Entropy Means to Me (1972), George Alec Effinger has entered the pantheon of my favorite authors—the novel is that brilliant. So, with a birthday gift card from my sister I procured a copy of Irrational Numbers (1975), a collection of short fiction. Will read soon….
I know very little about John Varley’s work. I have a copy of his collection The Persistence of Vision (1978) but had no idea that his first novel, The Ophiuchi Hotline (1977) was as well known as the Goodreads ratings make it out to be (1,476 votes!). I am positive that Boris Vallejo’s horrid cover prevented me from even considering the novel in the past.
More Wilhelm! (Juniper Time)
More Blish! (Midsummer Century)
All first edition hardbacks for a mere $1-2 each.
1. The Ophiuchi Hotline, John Varley (1977)
(Boris Vallejo’s cover for the 1977 edition) Continue reading
(Richard Powers’ cover for the 1962 edition)
4.25/5 (collated rating: Very Good)
Billenium (1962), J. G. Ballard’s first collection of short stories, contains three masterpieces of the 50s/60s: “Billenium” (1961), “Build-Up” (variant title: The Concentration City) (1957), and “Chronopolis” (1960). The first is a deadpan satire on overpopulation, the second a fantastic Borgesian depiction of an endless city that stretches (literally) in all directions, and the third a vision of a city that had enough and revolted against time. I preferred these three ruminations, that unfolded in evocative and decaying urban spaces, to the three decadent and baroque stories—“Studio 5, The Stars” (1961), “Mobile” (variant title: “Venus Smiles”) (1957), and “Prima Belladonna” (1956)—from his famous Vermillion Sands sequence. The remaining four are all readable.
As with J. G. Ballard’s first novel masterpiece, The Drowned World (1962), the sense of decay and malaise that permeate majority of the stories in Billenium is gorgeously Continue reading
I do not own many SF magazines from the 40s-70s. The reasons are as follows: 1) Novels tended to be serialized which means I have to track down multiple magazines to read an entire novel. 2) The novels were often radically altered for their first book form publication (think, Herbert’s “Dune World” (1963) that later became Dune (1965). Thus, I rather own the later novel form that wasn’t as constrained by the strictures of magazine form. 3) I love short story collections and would rather own the entire collection than read a singleton story.