Adventures in Science Fiction Cover Art: Diagrammatic Wonders (alien sand art + planning invasions + and other more mysterious formulations), Part I
November 21, 2013 § 18 Comments
(Virgil Finlay’s cover for the April 1957 issue of Fantastic Universe, ed. Hans Stefan Santesson)
At first glance this is a miscellaneous collection of covers on diagrammatic wonders — the aliens (or “advanced” humans) on Virgil Finlay’s cover for the April 1957 issue of Fantastic Universe conjure an image of earth with colored sand, generals plot invasions via maps and other diagrams depicting troop movements….
While some of the covers are themselves diagrams (Christopher Zacharow’s cover for the 1985 edition of Ancient of Days (1985), Michael Bishop) others place their characters in opposition to each other as pieces « Read the rest of this entry »
November 13, 2013 § 33 Comments
MPorcius, a frequent and well-read commentator on my site, has started transferring his numerous amazon reviews and writing new reviews of classic SF (a substantial portion is pre-1980s) to his blog. Please visit him and comment on his posts!
queue rant: I’ve noticed a surprising lack of frequently updated classic SF blogs online. Yes, many bloggers occasionally dabble in the distant era of SF glory or publish yet another review of the obligatory masterpieces because they appear on a some “best of” list (Dune, The Left Hand of Darkness, etc). However, few are devoted to the period and make it a point to write reviews of books that very few people will ever actually read due to their obscurity i.e. blogs that don’t sell out by churning out reviews of new Tor releases (I have declined their offer) or endless 4/5 or 5/5 starred let’s pat each other on the back reviews of self-published (and generally awful) ebooks « Read the rest of this entry »
November 12, 2013 § 9 Comments
(Josh Kirby’s cover for the 1975 edition)
4.5/5 (Very Good)
Michael G. Coney’s Hello Summer, Goodbye (variant title: Rax) (1975) — often considered a minor classic of the genre — is a lyrical paean to young love arrayed against a backdrop of a world filled with increasingly sinister undercurrents, unusual (and fantastic) fauna and flora, and characters we connect with in deeply emotional ways. I am the first to admit that I am intensely suspicious of SF labeled thusly: “This is a love story, and a way story, and a science fiction store, and more besides” (authors note). However, the “love story” elements are so delicately wrought and unfold naturally without undue melodramatic flair that I was smitten with the characters and felt for their struggles.
Welcome to an alien world where anomie trees « Read the rest of this entry »
November 9, 2013 § 20 Comments
A nice haul from the local used book store and various internet sources…. After Effinger’s masterpiece What Entropy Means to Me (1972) I was desperate to get my hands on another one of his novels (or short story collections — Relatives is not supposed to be as good but, perhaps it will prove the critics (well, namely John Clute) wrong.
Miriam Allen deFord was a prolific 50s short story writer. Xenogenesis (1969) is the only published collection solely of her stories — thankfully it’s graced with a wonderful Richard Powers cover.
Despite the hideous cover, Michael Bishop’s first novel A Funeral for the Eyes of Fire (1975) is generally considered quite good. I’ve already read and reviewed Dan Morgan’s average but inventive SF thriller Inside (1971) but included it in this post anyway because I had yet to reach my four new acquisitions for a post.
Have you read any of these novels? If so, what did you think?
1. Relatives, George Alec Effinger (1973)
(Uncredited cover for the 1976 edition) « Read the rest of this entry »
October 31, 2013 § 21 Comments
(Peter Goodfellow’s cover for the 1979 edition of The Moment of Eclipse (1970), Brian Aldiss)
Make sure to take a peek at Part I if you enjoyed this collection!
In Part I I described how I was inspired by Ed Valigursky’s stunning and powerful cover — with its giant eye, running figures, and perspective lines drawn across the artificial field heightening the tension — to look through my image collection and find similar examples. Since I made the last post I’ve collected quite a few more examples (from my own collection and image collections online) along similar lines.
Mitchell Hooks’ cover for the 1958 edition of The Big Eye (1949) by Max Ehrlich has long been one of my favorite covers and it has cropped up in various posts over the years…. The uncredited cover for the 1969 edition of The Cosmic Eye « Read the rest of this entry »
October 16, 2013 § 37 Comments
(Richard Powers’ cover for the 1969 edition of Cosmic Engineers (1939), Clifford D. Simak)
The theme of this post is the future metropolis as canvas where the entire surface of the cover is arrayed and ordered by the forms and forces of the city. The city as a matrix that holds the scene unfolding amongst its spires… Richard Powers’ masterful cover for the 1969 edition of Cosmic Engineers is the perfect example. The mass of the buildings arch, indistinct, upward — causeways and platforms amongst the cityscape hold faceless humanoid forms that “look” « Read the rest of this entry »
October 10, 2013 § 6 Comments
(Richard Powers’ cover for the 1964 edition)
3.75/5 (collated rating: Good)
I’ve been in a 50s SF short story craze of late, devouring collections by Robert Silverberg (Godling, Go Home!), Walter M. Miller, Jr. (The View From the Stars), Fritz Leiber (A Pail of Air), Lester Del Rey (Mortals and Monsters), and a few Robert Sheckley volumes a few months before. Fresh off of William Tenn’s solid novel Of Men and Monsters (1968) I went into The Human Angle (1956) (containing three novelettes and five short stories predominately from the 50s) with high expectations. Despite the handful of duds – ”The Human Angle” (1948), “Project Hush” (1954) and ”The Discovery of Morniel Mathaway” (1955) – that tend to creep into most collections of shorts, the majority were characterized by sardonic brilliance.
Although not as biting as his august contemporaries Robert Sheckley and C. M. Kornbluth, Tenn’s visions are delightfully humorous and ironic. It’s worth getting your « Read the rest of this entry »
October 8, 2013 § 16 Comments
(Uncredited cover for the 1961 edition of Earth Abides (1949), George R. Stewart)
Note: if anyone can identify the artist for the first three downright spectacular covers I’d be very very happy. I’m positive that they match stylistically (the vague human shape, the cityscape, the brush strokes, the textures). Two of the three covers were made for Signet press and all three are from the early 1960s. I suspect if I perused the covers from the Signet catalogue from that era I’d find even more…. Perhaps it’s the work of Sanford Kossin? He was producing covers for Signet around the same time.
And now The Vaguely Defined Looming Man Shape « Read the rest of this entry »
September 30, 2013 § 11 Comments
(Richard Powers’ cover for the 1965 edition)
3.75/5 (Collated rating: Good)
Almost all SF fans have read Walter M. Miller, Jr.’s masterpiece A Canticle for Leibowitz (1959) but few indulge in his shorter works. By 1957 Miller had virtually quit publishing new SF (A Canticle is comprised of novellas published between 1955-1957). His only later work published later was Saint Leibowitz and the Wild Horse Woman (1997) completed by Terry Bisson and released posthumously.
The View From the Stars (1965) — containing five short stories, two novelettes, and one novella — is a cross section of his most productive decade. Although I found that none of the works included should be considered masterpieces, “I, Dreamer” (1953), ”Dumb Waiter” (1952), ”Big Joe and the Nth Generation” (1952), and ”The Big Hunger” (1952) were wonderful. All the others are readable « Read the rest of this entry »