November 27, 2013 § 10 Comments
This post is a call for readers to submit their favorite immortality themed science fiction NOT included on my list below (and even examples they did not care for so I can make this a more substantial resource). I’ll make a page with all the information I receive for easy consultation soon (INDEX of similar pages/articles).
A while back I started gathering a list of titles — via SF Encyclopedia, other online resources, and my own shelves — on immortality themed SF. I have always been intrigued by the social space (one plagued by violence and despair or buoyed by the hope of a better future) that the possibility of immortality might generate.
I would argue that the single best example of social effects that the possibility of immortality might create is Clifford D. Simak’s Why Call Them Back From Heaven? (1967). In similar fashion, James Gunn’s The Immortals (1962) takes place in a world where immortals do exist, they skirt « Read the rest of this entry »
November 24, 2013 § 21 Comments
(Mel Hunter’s cover for the 1956 edition)
3/5 (collated rating: Average)
Although Theodore Sturgeon is generally considered a master of the SF short form, his collection A Way Home (1956) contains only two worthwhile stories – ”Thunder and Roses” (1947) and ”Bulkhead” (1955). The rest I was either unable to finish or struggled to muddle through over the course of the last two or so weeks. Fortunately, the near masterpiece ”Bulkhead” was almost worth the pain induced by the intelligent dog related subgenre of SF manifest in “Tiny and the Monster” (1947) or the cute accidentally destructive hurkle kittens of ”The Hurkle Is a Happy Beast” (1949).
At this stage in my recent endeavor to brush up on the best of the 50s short story wordsmiths, I place Sturgeon below Robert Sheckley, Brian Aldiss, Philip K. Dick, Fritz Leiber, Miriam Allen deFord, Lester del Rey, Walter M. Miller, Jr., C. M. Kornbluth, and Frederik Pohl. (shocking to some, I know!).
However, before I make a more definitive conclusion I call on my readers to list what you consider his best short work « Read the rest of this entry »
Adventures in Science Fiction Cover Art: Diagrammatic Wonders (alien sand art + planning invasions + and other more mysterious formulations), Part I
November 21, 2013 § 18 Comments
(Virgil Finlay’s cover for the April 1957 issue of Fantastic Universe, ed. Hans Stefan Santesson)
At first glance this is a miscellaneous collection of covers on diagrammatic wonders — the aliens (or “advanced” humans) on Virgil Finlay’s cover for the April 1957 issue of Fantastic Universe conjure an image of earth with colored sand, generals plot invasions via maps and other diagrams depicting troop movements….
While some of the covers are themselves diagrams (Christopher Zacharow’s cover for the 1985 edition of Ancient of Days (1985), Michael Bishop) others place their characters in opposition to each other as pieces « Read the rest of this entry »
November 13, 2013 § 33 Comments
MPorcius, a frequent and well-read commentator on my site, has started transferring his numerous amazon reviews and writing new reviews of classic SF (a substantial portion is pre-1980s) to his blog. Please visit him and comment on his posts!
queue rant: I’ve noticed a surprising lack of frequently updated classic SF blogs online. Yes, many bloggers occasionally dabble in the distant era of SF glory or publish yet another review of the obligatory masterpieces because they appear on a some “best of” list (Dune, The Left Hand of Darkness, etc). However, few are devoted to the period and make it a point to write reviews of books that very few people will ever actually read due to their obscurity i.e. blogs that don’t sell out by churning out reviews of new Tor releases (I have declined their offer) or endless 4/5 or 5/5 starred let’s pat each other on the back reviews of self-published (and generally awful) ebooks « Read the rest of this entry »
October 31, 2013 § 21 Comments
(Peter Goodfellow’s cover for the 1979 edition of The Moment of Eclipse (1970), Brian Aldiss)
Make sure to take a peek at Part I if you enjoyed this collection!
In Part I I described how I was inspired by Ed Valigursky’s stunning and powerful cover — with its giant eye, running figures, and perspective lines drawn across the artificial field heightening the tension — to look through my image collection and find similar examples. Since I made the last post I’ve collected quite a few more examples (from my own collection and image collections online) along similar lines.
Mitchell Hooks’ cover for the 1958 edition of The Big Eye (1949) by Max Ehrlich has long been one of my favorite covers and it has cropped up in various posts over the years…. The uncredited cover for the 1969 edition of The Cosmic Eye « Read the rest of this entry »
October 27, 2013 § 3 Comments
A fun bunch of thrift store finds and gifts…. I’m most excited about Robert Sheckley’s novel Immortality, Inc. (1958) — not only is the cover gorgeous (the initials read LSG but I can’t figure out who the artist might be) but Sheckley is fast becoming a favorite of mine (for example, the short story collections Store of Infinity and The People Trap).
I know very little about George Zebrowski’s novels. So, I’ll approach The Omega Point (1972) with a tad bit trepidation. Has anyone read him? If so, what do you think?
I’ve read Heinlein’s The Man Who Sold the Moon but I have a much later edition and sort of enjoy the standard pulp cover for the 1951 edition.
And another Anderson classic….
1. Immortality, Inc., Robert Sheckley (1958)
(Uncredited — brilliant — cover for the 1959 edition) « Read the rest of this entry »
October 16, 2013 § 37 Comments
(Richard Powers’ cover for the 1969 edition of Cosmic Engineers (1939), Clifford D. Simak)
The theme of this post is the future metropolis as canvas where the entire surface of the cover is arrayed and ordered by the forms and forces of the city. The city as a matrix that holds the scene unfolding amongst its spires… Richard Powers’ masterful cover for the 1969 edition of Cosmic Engineers is the perfect example. The mass of the buildings arch, indistinct, upward — causeways and platforms amongst the cityscape hold faceless humanoid forms that “look” « Read the rest of this entry »
October 10, 2013 § 6 Comments
(Richard Powers’ cover for the 1964 edition)
3.75/5 (collated rating: Good)
I’ve been in a 50s SF short story craze of late, devouring collections by Robert Silverberg (Godling, Go Home!), Walter M. Miller, Jr. (The View From the Stars), Fritz Leiber (A Pail of Air), Lester Del Rey (Mortals and Monsters), and a few Robert Sheckley volumes a few months before. Fresh off of William Tenn’s solid novel Of Men and Monsters (1968) I went into The Human Angle (1956) (containing three novelettes and five short stories predominately from the 50s) with high expectations. Despite the handful of duds – ”The Human Angle” (1948), “Project Hush” (1954) and ”The Discovery of Morniel Mathaway” (1955) – that tend to creep into most collections of shorts, the majority were characterized by sardonic brilliance.
Although not as biting as his august contemporaries Robert Sheckley and C. M. Kornbluth, Tenn’s visions are delightfully humorous and ironic. It’s worth getting your « Read the rest of this entry »
October 8, 2013 § 16 Comments
(Uncredited cover for the 1961 edition of Earth Abides (1949), George R. Stewart)
Note: if anyone can identify the artist for the first three downright spectacular covers I’d be very very happy. I’m positive that they match stylistically (the vague human shape, the cityscape, the brush strokes, the textures). Two of the three covers were made for Signet press and all three are from the early 1960s. I suspect if I perused the covers from the Signet catalogue from that era I’d find even more…. Perhaps it’s the work of Sanford Kossin? He was producing covers for Signet around the same time.
And now The Vaguely Defined Looming Man Shape « Read the rest of this entry »