(Nik Puspurica’s cover for the 1960 edition)
Frederik Pohl’s best early SF was produced with his frequent collaborator C. M. Kornbluth—the most notable of which include the masterpiece The Space Merchants (1953) and Gladiator-In-Law (1954). The solo work I have read so far from the same period does not reach the heights of his Kornbluth collaborations but rather fluctuates between downright dull satires with intelligent dogs in the vein of Slave Ship (1956) to solid but unspectacular satire about higher education, Drunkard’s Walk (1960). As of this moment in my SF reading career I place Pohl’s editorial work above his 50s/early 60s solo SF. That said, I have not read any of his short fiction.
Recommended for fans of 50s/60s Continue reading
(Vincent Di Fate’s cover for the 1970 edition)
4/5 (collated rating: Good)
A solid collection of seventeen short stories and one novelette by one of my favorite New Wave authors, Norman Spinrad. Although the collection seldom reaches the heights of his inventive and original alt-history novel The Iron Dream (1972), The Last Hurrah of the Golden Horde (1970) is still a wonderful showcase of his earliest short fiction. However, Spinrad’s relentlessly bleak outlook on Earth’s future will not appeal to all SF readers. I only recommend the collection for fans of experimental late 60s SF, the New Wave movement, and bleak satires of societal ills (count me in!).
The best include: “Technicality” (1966), a war against pacifist aliens who wield horrific but non-lethal weapons; “The Last Hurrah of the Golden Horde” (1969), an absurdist pastiche of the bastardization of ideology and societal decadence; and “Dead Continue reading
(Vincent Di Fate’s cover for the 1973 edition)
4.5/5 (Very Good)
Naomi Mitchison’s first science fiction novel, Memoirs of a Spacewoman (1962), is a brilliant episodic rumination on the nature of non-violent interaction with alien species that challenge (and transform) conceptions of ourselves and others. Although R. S. Lonati’s cover for the 1964 Four Square edition suggests a pulp adventure—replete with flashy spaceships, explosions, and traditional adventure—Memoirs is cut from an altogether different cloth.
The first sentence of the novel narrows in on Mitchison’s central themes:
“I think about my friends and the fathers of my children. I think about my children, and I think less about my four dear normals than I think about Viola. And I think about Ariel. And the other. I wonder sometimes how old would be if I counted the years of time blackout during exploration (5).”
(Paul Alexander’s cover for the 1977 edition)
2.75/5 (collated rating: Vaguely Average)
A while back I picked up a copy of George Zebrowski’s The Monadic Universe (1977) for my friend 2theD at Potpourri of Science Fiction Literature to supplement his suitcase of SF books he buys every year before heading back to Thailand. Before I sent it to him I read a single story “The History Machine” (1972) and was intrigued enough to buy the collection for myself.
Bluntly put Zebrowski’s post-apocalyptical, polluted, environment going to hell futures are dull and resort to random violence, sinister women characters, and lengthy information dumps. The stories containing metaphysical thought-experiments are slightly more successful although the lack of articulate prose weakens their power. I only recommend three Continue reading
(Jack Faragasso’s cover for the 1975 edition)
3.5/5 (collated rating: Good)
The Many Worlds of Barry Malzberg (1975) contains eleven short works of which four (“Initiation,” “Management,” “Reconstitution,” and “After the Unfortunate Accident”) were original to the volume and have not been published elsewhere.
My first exposure to Barry N. Malzberg’s massive short fiction catalogue was a mixed bag. But even the least intriguing of his works contain literary prose and unsettling scenes… I recommend this collection for a handful of the stories (although the best can be found elsewhere): namely, “The Union Forever” (1973), “Reconstitution” (1975), “Death to the Keeper” (1968), and”Closed Sicilian” (1973).
I found Continue reading
(Richard Powers’ cover for the 1962 edition)
4.25/5 (collated rating: Good)
J. G. Ballard’s second short story collection, Voices of Time and Other Stories (1962), is only ever so slightly less brilliant than his first, Billenium (1962). The stories are often linked thematically: exploring post-apocalyptical landscapes, rituals in the face of death, urban alienation, mental fragmentation. Scientists test whether humans can live without sleep, strange megaliths populate the volcanic landscapes of an alien planet, residual sounds are gathered in city dumps, and new ultra modern housing complexes facilitate detachment from the real world…
Highly recommended for all fans of literary, thought-provoking, and moody SF. Ballard is one of the most routinely Continue reading
(Mike Hinge’s cover for the 1979 edition)
Note: A slightly shorter version of this review will appear in Big Sky, # 4 (a fanzine put together by Pete Young).
On the surface, Michael Bishop’s anthropologically inclined science fiction appears deceptively simple. In his first novel and unacknowledged masterpiece A Funeral for the Eyes of Fire (1975), the premise (moving an alien people from a planet) evolves into a vast and complex anthropological tapestry filled with stories within stories creating an almost claustrophobic doubling of characters. In Stolen Faces (1977) the biological mystery of a virulent disease grows, tumor-like, into a brilliantly nightmarish exploration of bodily and societal decay and the gravimetric forces