Book Review: The Iron Dream, Norman Spinrad (1972)

(Vincent di Fate’s (?) cover for the 1972 edition)

4.75/5 (Very Good)

Nominated for the 1973 Nebula Award

Simply put, Norman Spinrad’s The Iron Dream (1972) is a fantastic alternate history novel.  However, unlike a standard “what if this happened instead and now let’s write a traditional narrative” alternate history, The Iron Dream is organized around a powerful metafictional conceit which explicitly serves to satirize pulp science fiction and fantasy and condemn its lurid nature and Spinrad would argue, racist inclinations.

The premise is straightforward: after the Great War (WWI) Hitler comes to the United States (and thus WWII never happens) and becomes a science fiction illustrator.  Eventually he starts writing science fiction and articles in fanzines.  However he’s considered by the establishment to be little more than a hack writer and lives the rest of his life in squalor.  It is only after he dies (from symptoms related to syphilis) that he receives any critical success. What you read is Hitler’s 1954 posthumous Hugo-winning novel (which he wrote in six weeks), The Lord of the Swastika,  along with a short pseudo-scholarly “afterward to the

Book Review: Beasts, John Crowley (1976)

(John Cayea’s cover for the 1976 edition)

4.5/5 (Very Good)

“‘They want to kill us all, you know.  They’re trying [...].  The government.  Men.  You.’  Still his eyes searched hers. ‘We’re no use to them.  Worse than useless.  Poachers.  Thieves.  Polygamists.  We won’t be sterilized.  There’s no good in us.  We’re their creation, and they’re phasing us out.  When they can catch us’” (33).

While reading John Crowley’s Beasts (1976) I was reminded of the life of Stephan Bibrowski (1891-1932) à la Lionel the Lion-faced Man.  Stephan was afflicted with hypertrichosis (most likely) which caused his entire body to be covered with hair.  His mother was so horrified at his appearance  – which she believed was caused because she saw her husband mauled by a lion while she was pregnant

Book Review: The Burning, James E. Gunn (1972)

(Robert Foster’s evocative cover for the 1972 edition)

3.25/5 (collated rating: Average)

James E. Gunn’s The Burning (1972) is a fix-up novel containing three previously published but linked novelettes: ‘Witches Must Burn’ (1956), ‘Trial By Fire’ (1969), and ‘Witch Hunt’ (1969).  The first two are contiguous while the third section is more loosely related.  I will rate each separately as I did with the superior The Immortals (1962).

As someone who has lived in areas of the United States plagued by virulent strains of anti-intellectualism, massive higher education funding cuts (especially for the liberal arts), and an increasing emphasis on “practical” fields of study, James E. Gunn’s The Burning (1972) is a profoundly unsettling read.  Of course Gunn’s dystopic future is much more one of doom and gloom: The universities lie in smoldering ruins, the professors (“eggheads”)

Book Review: The Immortals, James E. Gunn (1962)

(Mitchell Hooks’ cover for the 1962 edition)

4.25/5 (collated rating: Good)

James E. Gunn’s The Immortals (1962) is less about the lives and mental state of the eponymous humans “blessed” with immortally (a fascinating topic in itself) and more about the ramifications of their existence on the rest of society not “blessed” with such genetic structures.  Their presence exacerbates the problems of an already dystopically tinged world where medical care is increasingly the domain of the ultra wealthy.  With the knowledge that a random genetic mutation has created a bloodline whose members are immortal, society is all too eager to root them out and (literally) bleed them dry.  Living longer — achieved by whatever means — becomes the single-minded desire of all.  Most of humanity is oblivious to the festering (and carcinogenic)

Book Review: The Status Civilization, Robert Sheckley (1960)

(Richard Powers (?) cover for the 1960 edition)

4/5 (Good)

Robert Sheckley deftly manipulates — in a mere (but dense) 127 pages – a plot straight from the pulps involving prison planets and gladiatorial fights against terrifying robots into a scathing and artfully constructed work of satire.  Similar skills were apparent in his masterful collection Store of Infinity (1960) where traditional sci-fi situations such as colonization of alien worlds, robot rebellions, post-apocalyptical wastelands, and time-travel (among other tropes) are imbued with witty wordplay and biting social

Book Review: The Ice Schooner, Michael Moorcock (1969)

(Keith Robert’s cover for the 1966 edition)

3.25/5 (Average)

The Ice Schooner (1969) is the second of Michael Moorcock’s novels I’ve read — the first was the equally unremarkable adventure The Warlord of the Air (1971).  The Ice Schooner, an homage to seafaring  works of Joseph Conrad, functions as a standalone novel without the trappings of Moorcock’s multi-verse mythology.  Despite the lack of explicit connection between this novel’s hero and the “eternal champion” character archetype that features in so many of his works, one could argue that Konrad Arflane displays many of the same

Book Review: The God Makers (variant title: The Godmakers), Frank Herbert (1972)

(Vincent Di Fate’s cover for the 1972 edition)

3.25/5 (Average)

As of late I’ve been returning to the extensive catalogue of Frank Herbert’s non-Dune novels on my shelf – The Eyes of Heisenberg (1966) was an engaging read with adept world building which created an intriguing/harrowing dystopic future.  The God Makers (1972) lacks not only Herbert’s trademark dense prose (for example, constantly shifting perspective over the course of a conversation) but also features one of his more poorly conceived future worlds.  This might be due to the fact that the novel was cobbled together from four short stories

Book Review: The Mile-Long Spaceship (variant title: Andover and the Android), Kate Wilhelm (1963)

(Richard Powers’ cover for the 1963 edition)

3/5 (collated rating: Average)

Kate Wilhelm, famous for her Hugo-winning masterwork Where Late the Sweet Birds Sang (1976), started her writing career with more modest works.  The Mile-Long Spaceship (1963) collects some of her earliest short stories from the late 50s and a few written for the collection in the early 60s — Clone, her first novel, co-written with Theodore L. Thomas would come out in 1965.  However, her best sci-fi was published in the late 60s to the mid-70s.  Before then her work tended to be straight-forward with an occasional interesting idea or poignant scene but generally unremarkable….

Three stories are worth reading in this collection: an early work of feminist science 

Book Review: Pebble in the Sky, Isaac Asimov (1950)

(Uncredited (Powers?) cover for the 1957 edition)

3.5/5 (Good)

Pebble in the Sky (1950), Isaac Asimov’s first published novel, is a revision of the earlier short story ‘Grow Old With Me’ published in the late 1940s.  The novel itself takes place in the vast Galactic Empire based at Trantor that features in so many of Asimov’s short stories and novels — most famously, Foundation.  Although I am generally unimpressed with Asimov’s science fiction, Pebble in the Sky contains intriguing world building and an elderly man as the main character which is rather rare in sci-fi (albeit, this does not prevent a silly romance between the other younger main characters from providing the novel’s emotional core). But, most appealing to me, Asimov moves away from the all too simplistic dichotomy of good vs. bad